This movie was recommended by my boyfriend and it feels really good. . . . .
It really uses the most realistic DV documentary technique to record the most unreal thing - the monster attack in New York. . . . . .
It may be a new perspective in disaster films, horror films, and movies overflowing with exquisite and magnificent scenes, recording a Glass-style disaster with the DV around you. .
It is undeniable that the director to the screenwriter put a lot of thought into it.
From the beginning of the account, the
file was opened by the US Secretary of Defense, and when the file numbered clover was displayed preciously, and later on the Internet, the real-name company name: Tagruato's biological/pharmaceutical company, which is very well done, the company's contact information , The latest developments, and product lists can all be found. , A group of environmentalists set up a website, accusing the company of extracting seabed resources and destroying the environment, accusing the company from 1945 (-_- ||) years of crimes, and every article has a large number of backers replying....
Next is Slusho, the parent company of Tagruato, which sells a certain sports drink whose ingredients cause the sea monster to mutate - male The protagonist is about to work in this company, but he has no idea about it. And Slusho's food advertisements can be seen on various websites. When
such a major event occurs, the government will definitely block the news, and a website called 1-18-08 Truth Network ( The website that seems to be the date of the disaster in the movie) put out a couple of photos related to the event in very cool Flash.
Last but not least, the main characters in the DV have their own blogs on Myspace, documenting the Their lives before the disaster (they escaped after the disaster). There are a lot of fake diaries and messages on the blog, and there is interaction between everyone's blogs (this group of people are friends who know each other)
All of the above, the Kung Fu outside the film, makes people feel that this New York has indeed experienced such an unknown catastrophe, and even makes me feel the joy of New York's reconstruction. . .
At the same time, I also agree with the following statement:
use the most authentic method to record the most untrue content.
Americans have a strong ability to innovate, and they actually use DV documentaries to shoot science fiction subjects. It does require extraordinary imagination to put these two extremes together.
In fact, the main problem that the creative team needs to solve is how to make DV show the sci-fi content that all audiences want to see without leakage.
The good news is that the above points and difficulties have been solved very well. Although the quality of the DV machine is better, there are not too many flaws in the plot. The DV machine has captured everything reasonably, but some places are too fast. There is no way to be truthful without being reasonable.
Also, from the point of view of someone with a bit of camera experience, this movie is so hard to make! The level of photography is not generally high.
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