soul exit

Berta 2022-04-20 09:01:12

"The wall has ears, and Fu Kou is on the side." It is estimated that our Cultural Revolution period was similar.

Among the similar films, "Eavesdropping Storm" is not as sharp and forbearing as "East and West", but I replayed its ending three times, an empty street, an unknown man with countless eavesdropping secrets, dragging his realistic The identity is peacefully walking on the way to deliver the letter... The final freeze-frame "this book is for me" is a pun, meaning meaningful.

Let us have very concrete beliefs about morality, something so abstract and elusive that can be interpreted and distorted at will under the pressure of some totalitarian politics. And from this, find the exit of the soul.

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The Lives of Others quotes

  • Unterleutnant Axel Stigler: [enthusiastic] I've got a new one. So... Honecker comes into his office in the morning... opens the window, looks at the sun, and says...

    Unterleutnant Axel Stigler: [starts to worry] ... eh... what is it?

    Unterleutnant Axel Stigler: [startled] Oh, excuse me. That was... I'm just... I...

    Oberstleutnant Anton Grubitz: [tries to put Stigler at ease] No no no, please colleague. We can still laugh about our state officials. Don't worry.

    Oberstleutnant Anton Grubitz: [almost laughing] I probably know it already anyway.

    Oberstleutnant Anton Grubitz: [encouraging] Come on! Tell it.

    Unterleutnant Axel Stigler: [feeling more comfortable] Well... Honecker, I mean... the General Secretary... sees the sun, and says, 'Good morning dear sun!'

    Oberstleutnant Anton Grubitz: [with high pitch mocking voice] 'Good morning dear sun!'

    Unterleutnant Axel Stigler: ...and the sun answered, 'Good morning dear Erich!' At afternoon Erich sees the sun again and says, 'Good day dear sun' And the sun says: 'Good day dear Erich!' After work Honecker goes back to the window and says, 'Good evening dear sun!' But the sun doesn't answer! So he says again, 'Good evening dear sun, what's wrong?' And the sun answered and said, 'Oh, kiss my ass, I'm in the West now!'

    [laughing]

    Oberstleutnant Anton Grubitz: Name?

    [becoming deadly serious]

    Oberstleutnant Anton Grubitz: Rank? Department?

    Unterleutnant Axel Stigler: [frightened] Me? Stigler, 2nd Lieutenant Alex Stigler. Department M.

    Oberstleutnant Anton Grubitz: [almost sighing] Don't need to tell you what this means for your career, what you just did.

    Unterleutnant Axel Stigler: [scared, slightly angry] Please Lieutenant Colonel... I just...

    Oberstleutnant Anton Grubitz: [angry] You just mocked our party! That was political agitation! Surely just the tip of the iceberg! I am going to report this to the minister's office.

    Oberstleutnant Anton Grubitz: [starts laughing] Hahahaha! I was just kidding! Pretty good, huh? Yours was good too. But I've got a better one. What is the difference between Erich Honecker and a telephone?

    [pauses]

    Oberstleutnant Anton Grubitz: Nothing! Hang up... try again. Hahaha!

  • Georg Dreyman: You are a great artist. I know that, and your audience knows it, too. You don't need him. You don't need him. Stay here. Don't go to him.

    Christa-Maria Sieland: No? I don't need him? Don't I need this whole system? What about you? Then you don't need it either, or need it even less. But you get in bed with them, too. Why do you do it? Because they can destroy you too, despite your talent and your faith. Because they decide what we play, who is to act, and who can direct.