Further down the road, the impoverished writer was driving a luxury car to and fro on the road without distinction, and I was speechless at this point, only dumbfounded. The protagonist simply opened the plug-in, and these few minutes are enough to kill others tens of thousands of times, but the protagonist is still self-absorbed in extreme operations, and it feels that the experience value is doubled up.
Later, Dr. Xiaosan drove a plane again. The combination of these two people is already supernatural. Mother Earth has to avoid them when she is busy destroying people. I began to think that there may be no more disaster films after this film.
But looking at it, it still feels familiar, probably Hollywood (when someone called a mad DJ's radio, he said that the destruction of the earth also started with Hollywood~) is not making a movie, it is a proposition composition, The propositional composition must pay attention to the mode, no matter how creative it is, it should not be out of line. I should have realized this when I was in middle school. I did not expect that American screenwriters are also well versed in this.
Thinking back to the disaster films I watched in the past, and then looking at the film in front of me, which is a masterpiece and a breakthrough, I understand that the so-called disaster film is not made up, it is completely customized. All these elements are listed in a menu, and the screenwriter will It's like ordering food, pick the one you like or that others haven't used much, just click, and a movie will be compiled, and the rest is up to 3D Max.
The films I mentioned are all aimed at destroying the earth (or human beings, one meaning, basically people think that they are the whole of the world), basically including: Deep Impact, Independence Day, the world Armageddon, The Core, 28 Days/Weeks Later, The Day After Tomorrow, War of the Worlds, Alien Fungi ( The Andromeda Strain), The Secret Code (Knowing), 2012.
And the screenwriter's menu looks like this:
Required parts:
1. Xiaoqiang people, people don’t spend money to see everyone die, someone must survive, and more than once, and if they pass two levels, they will live to the end. It's called drama, and it's always the same.
2. Dedicated characters, if everyone escaped, how would it be better than getting out of a realm? At this time, there must be characters who give up their families to take care of everyone (or simply exchange one/more lives for one life) to come forward, and survive and secretly have fun. The protagonists of the movie also have to grieve to show that they are also conscious.
3. Death-seeking characters, when the world is in a mess, someone has to take life and death lightly, and die magnificently to reflect the disaster is indeed not a joke, and at the same time, the free and easy spirit can also make the audience who are used to seeing life and death. We pretend to think about the meaning of life.
4. Religion, when the fire burns to the buttocks, the faith cannot be lost. Although the sky is full of gods and Buddhas watching the play, the scene of a crowd of people or a single person praying can still set the atmosphere.
5. The world is in great chaos, can you not be in chaos if you are going to die?
6. When human nature erupts, the more chaotic it is, the more it can show the light of human nature. At this time, if you save one more person, you can earn more tears. Why not do it? Brother one.
7. The world is a great harmony. At home, we rely on our parents to go out and rely on friends. One party is in trouble and all parties support us. When there is no tomorrow, no one will say that the other is not good. They are all family, and their spirits are so high that they can be used for the continuation of human beings.
8. Children must live, regardless of whether they are the protagonist, the seven aunts, the eight aunts, or the children of passers-by, as long as they are not submerged in the crowd, then everything will be OK. There are so many supporting characters and dragons alive, how can the child die? Do you have humanity?
9. The last speech, the President of the United States or the top official who is still alive must make a speech at the last moment. Everyone stops all activities and stares at the still clear TV in various postures. Every word is as heavy as a thousand pounds. At the last moment, the President Leading everyone to understand, so God finally calmed down.
10. In the last level of the protagonist, there is always something to hold the protagonist at the end, but he will never die. Just when everyone was holding their breaths and wanted to cry without tears, he appeared again, everyone cheers, forget the dozens of dead bodies billion people.
11. The new world, no matter what the earth is ruined, as long as it is not like in "The Hitchhiker's Guide to the Galaxy", there will always be a time to come back to life, everyone looks at the rising sun in the distance with hope, game clearance, Credits Start.
Free play part:
1. The degree of destruction, although they are all disaster films, but obviously the scales are not the same, you can choose to destroy a country, a continent, a hemisphere, or simply have a good time. , uniform and not special.
2. The way of destruction is the most creative place. Meteorites are used for viruses, viruses are used for stinks for aliens, aliens are used for Xu for the center of the earth, and the center of the earth is replaced by the sun. , Left and right are all dead.
3. Surviving population, this is also very useful. Generally speaking, at least tens of thousands of people are left to leave a seed for human beings, but it can't be like EVA. The remaining two are strangled to death, which is too inactive. In addition, whoever is not left is also a place to play. It can be drawn by lot or by default. You can refer to Article 6 of the mandatory part.
4. The first discoverer, someone has to see the signs before the disaster, and then tell the protagonist. In order to reflect the diversity of the world and not conflict with the protagonist, this person is generally set to be Asian, African and Latin American, and Indians are especially popular. But this NPC character generally does not end well. After all, everything cannot be perfect, and sacrifice can be exchanged for moving. Your mission is over, rest in peace.
5. In the first incident, the disaster cannot come to the protagonist as soon as it comes up. You can first show your edge in the corners of the world. It is not suitable for big cities. You must first maintain a sense of mystery, but you will also have to die a few people.
6. The spectacle of destruction, the first incident happened to tell the protagonist that something was wrong, the second wave will start to intensify, and there must be movements all over the world, you can choose a few of the wonders of the world known to women and children to destroy, The first one that couldn't run was the Eiffel Tower. After that, the West Coast of the United States was not soft, and Hollywood and the Golden Gate Bridge were never seen again. After that, you can play freely. In short, anything that appears on postcards is dangerous. Finally, it is the Statue of Liberty, which can be destroyed with confidence, because the protagonists have already rushed to the front line and will not be affected.
7. Savior, this is the most easily criticized place, one water American is outdated, in order to take care of the global audience, there must be blacks and Asians, and one of them is enough to be a woman. Others, such as Latin Americans, can also be considered, but one point is that the central character must have a green card. As for 2012, although the Chinese are called the savior, the protagonist is not actually an American? Chinese are just labor.
8. The protagonist's family problem is the same as the Chinese revolutionary film stubbornly arranges the protagonist to be alone (at most with parents), and the disaster film stubbornly arranges the protagonist to have a family with a family, and it cannot be a complete and happy family, because the protagonist is He has to be busy with his career, or he may not have the ability to save the world, but in the end, he must have a magical double harvest in his family and business. Of course, the relationship between children and children cannot be stereotyped. You can choose to reunite with a divorced family (with or without children), or the protagonist finds one from the comrades who fight side by side. The friendship produced in the revolution must be an impure friendship.
9. Farewell to my father. Even if the protagonists have the ability to reach the sky, don’t even think about taking away their father. The father (not the mother) must say that he has lived enough, recall the past, and give some hope. Then, like an elephant walking towards the cemetery, he silently stopped causing trouble for the protagonists. Father-son or father-daughter relationships have different ways of exerting themselves. Fathers and sons generally disagree, and fathers and daughters think their fathers are irresponsible.
10. The color of the U.S. president has long been released. However, using a black president a few years ago was very avant-garde, and now it seems a bit vulgar. However, people of the yellow race should use it with caution. Naturally, there are opportunities for this color to appear.
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