Not as good as expected

Vivienne 2022-04-19 09:01:21

The actor's performance is too contrived, especially the male lead.

There is also the scene where the helicopter chases the car, which actually drove indoors -

and the handsome guy, his role in the whole scene is to play horses and race cars.

Some plots are too fake. For example, in the part of the subway racing, it is accurate to the second, and it is not in Japan. The subway arrival time in the United States often varies.

There is also a line borrowed from the black skin: "Boss, take a hammer, what are you doing with that?" You can kill someone like Steve and then grab it, anyway. After the identity is exposed, it is too unreasonable to "steal".

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Extended Reading
  • Janiya 2022-03-21 09:01:18

    "Find someone who can spend the rest of your life with you, and stay with him forever!"-John Bridger "The Italian Job"

  • Cathryn 2022-04-23 07:01:19

    It has a gorgeous lineup and a classic plot with a sense of picture. But there is no so-called rhythm, all the expressions for being handsome are superfluous. I finally know why so many people like Norton. It seems that girls love men who are a bit mean. MINI COOPER is handsome, exquisite and beautiful.

The Italian Job quotes

  • Charlie Croker: Napster, Gridlock every route except the one we chose. Force that truck to go exactly where we want it to go.

    Handsome Rob: Where do we want it to go? We can't have a shoot up without guns. We'd lose.

    Charlie Croker: We do it like the Italian job.

  • Lyle: [watching his screen] Metro just passed the station. You are clear for ninety seconds. Go!

    [the three MINIs all turn and drive along the sidewalks, dodging pedestrians]

    Charlie Croker: Come on, Steve.

    [the three MINIs make a left turn and travel down the stairs into the 7th and Metro station. They dodge commuters inside the mezzanine area]

    Lyle: Thirty seconds and counting.

    [They turn onto the platform, as a Blue Line train comes into the station]

    Lyle: Fifteen seconds, you're blocked in or you're paint on the train.

    Left Ear: Go, go, go, go!

    [They accelerate past a number of baffled Blue Line passengers inside the train]

    Charlie Croker: Stay right on me. This is gonna be tight.

    [He jumps his MINI in the tight space between the train and the wall. Stella follows. Left Ear produces some sparks as he makes the jump]

    Left Ear: Go-go-go-go-go-go!

    Lyle: You're gonna stop right... there.

    [he presses a button and chuckles to himself. The train comes to a stop at the end of the platform, and the overhead lines lose power. The entire train goes dark]