Frank and Hoffa

Martina 2022-04-21 09:01:24

The gangster killer Irish Frank made a confession to a priest in his later years, telling his gangster and trade union career. Unlike Mike Corleone's tragic, infectious ending, Frank's life is hard to define in terms of tragedy or success. He personally killed Hoffa, the friend who trusted him the most, lost the trust of all his daughters, and was even despised by one of his daughters, Peggy (this daughter will be emphasized later); but his achievements, his mentality, His extremely cold character (it should be a T) made him not end in tragedy.

Let's talk some details. What impresses me most in the whole work is the relationship between the Irishman Frank and Jimmy Hoffa, and this relationship uses Peggy as a link. The footage of the film has been given to Peggy for many times, and people can really remember the little girl who saw through her father after watching it. Peggy is a sensitive and introverted person. From the moment she witnessed her father take revenge on the store clerk who just pushed her as a child, she understood that her father was a cruel character. Another point of Peggy's insight can be reflected: her indifference and estrangement towards Frank's life mentor and gang leader Russell, and her closeness and love to Jimmy Hoffa. Full of idealism, paranoia for workers' rights, union president. Peggy's relationship with her father Frank was less strained by Hoffa's presence, and finally broken down completely by Hoffa's disappearance. (Obviously Peggy saw that it was her father who killed Hoffa) Hoffa showed trust in Frank from the beginning: let Frank sleep in his house without closing the door. The most precious thing in his life is time, and he also gave Frank the gold watch as a gift, which is enough to prove his trust and value to this friend. Hoffa is full of emotions, full of personality, spiritual cleanliness, extreme, idealistic, and dares to turn tables with gangsters for the union; however, Frank is calm, ruthless, and always puts his career first. Hoffain refused to bow his head to the gangster even though he died. Frank had to kill the friend who trusted him the most because of his identity and gangster position. This was the doomed tragedy of these two characters.

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Extended Reading
  • Roscoe 2021-10-20 19:01:33

    More than three hours is like re-experiencing "Poor Streets", "Taxi Driver", "Godfather" and "Once Upon a Time in America", the opening of the patrolman's mirror dreams back to "good guy" + the roundabout promenade cruise at the end, in the folded time folds, " Time gives me youth and death", we and them walk towards a common great belonging on and off the screen-death. Sokolov said: "Elegy is a good memory, nostalgia for the past." It would be more appropriate to call this gangster elegy, a movie that has been sharpened for many years. It is also Scorsese's quiet gaze looking back at life; passionate blood. No more screaming, the past is frozen in the old yellow photos, when friends and enemies are all annihilated, all the secret dust will cover all the living and dead of the Irish.

  • Michelle 2022-03-20 09:01:19

    Disappearing from the domineering arrogance of "The Good Guy", "The Irishman" is relatively steady and slow. The protagonist is still the middleman, and his existence defines a certain ethical and moral boundary. For three and a half hours, I watched an old man talk about a history about the struggle for power. "The Irishman" has a bleak background. No matter how magnificent the past is, it is lonely and hard to find a place to return. At this time, natural death is more unfortunate than being assassinated. There is no too much blood and rain, and an important person's exit can be without waves. Scorsese no longer uses anthropological methods to make movies, and the parental shortness has become simple, and the complex supporting roles have no sense of existence. The challenge for the old opera bones this time is to use their 80-year-old bodies to perform their 50-year-old momentum. The wrinkled face with special effects will still be a little weird. After all, we have witnessed how De Niro and Joe Pesci get old through Scorsese's movies, and the technology can only rejuvenate their faces, but the sense of age. It's not just determined by appearance. And I don’t know if old Martin wants to return to his prime, but the years are not forgiving, and people have to convince the old.

The Irishman quotes

  • Frank Sheeran: Nowadays, young people, they don't know who Jimmy Hoffa was. They don't have a clue. I mean, maybe they know that he disappeared or something, but that's about it. But back then, there wasn't nobody in this country who didn't know who Jimmy Hoffa was.

  • Jimmy Hoffa: Then who?

    Frank Sheeran: I'm gonna tell you. Tony.

    Jimmy Hoffa: Tony. Which Tony? They're all named Tony. I mean, what's the matter? Italians, they can only think of one name.