At the end of the film, Yardbirds performed Train Kept A-Rollin (the lyrics were modified and renamed Stroll On in the original soundtrack of the film). At that time, the team was the Beck-Page dual lead guitar combination of Jeff Beck and Jimmy Page. Then Beck smashed a copy of The In Crowd guitarist Steve Howe's instrument. The fragments of this prop in the film were snatched from the crowd by Hemmings and threw them on the street.
Steve Howe could have thrown the guitar himself, but The In Crowd (later renamed Tomorrow) played the theme song of the film, and the Velvet Underground was replaced by Yardbirds before them.
Another easy-to-find message is that the prototype of Hemmings in the film was photographer David Bailey, and the photos in the film were taken by Don McCullin.
Swinging London shot in the film: post-mod trend, Twiggy-style boy figure, girl face model, mini-cooper car on the street corner, jazz, family gathering, parade,..., and Hemmings' attitude towards female models Similar: I hate them and stick to them every day, I can send them casually but I can't really own them.
In addition, the film reminds me of Roland Barthes's arguments in the Ming room. I forgot the specific expression.
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