In no particular order: details to be explained
3 points: 14. Bullet holes in the shape of a man in the bed, and a portrait in a shattered glass frame.
Eve's dialogue: i'v been looking for him since yesterday.
------This is very interesting. Yesterday here can refer to yesterday according to the plot, or it can echo the yesterday in the soundtrack. In fact, this film is about yesterday. Use this word to refer to the past or the passing away.
According to the plot, the contradiction is that in the subsequent plot, the male protagonist called the police station on the day he said goodbye to Eve. And he was hunted down as a traitor, but it was the next day. So what happened after he finished the phone call? Why wasn't he there himself? Where has he gone? An opium den? Why did his friends die but he escaped? Isn't it weird? If Noodles originally thought, he called the police to save Max's life by putting himself and his friends in jail. This is a doubt.
5 points: 18. How could Mo know that the male protagonist is in a Chinese theater?
Underworld Dialogue 1: Who are you protecting? Is that the scumbag who betrayed his friends? Those people are also your friends. (Explain why the male protagonist was hunted down, betrayed and betrayed)
Underworld Dialogue 2: I get it, you want to end up with that bitch. (Foreshadowing for the later plot, don't speculate from this sentence that Eve has been killed)
The footage of the Chinese theater is very interesting.
Number one, of course, is the tomb.
Next is the gate of the station.
The flying disc.
The hero's final smile.
Shadow plays and paintings in the opium den.
I slipped.
cake.
The clock and keys in the old Mo's shop.
The last funeral car to appear.
Exploding vehicle.
Big cake.
Several children are standing in front of the mirror.
Max's face.
Photos of the male protagonist before Eve was killed and bullet holes in the bed.
Mistaken male lead in a brothel.
There's a young face in the scapegoat in the shootout.
The two men riding bicycles next to the male protagonist after the rape.
Crane dredging mud during the second swim.
Violence and pornography permeate the entire film.
The first time for the male protagonist and MAX.
When the male protagonist was in prison, the three people outside, the telescopic lens of the four figures.
ring tone.
Young people in two cars at the end.
The story of second child insurance.
Change the baby.
Salt.
Pope's chair.
The male protagonist in the film is called David Anderson, and the name on the cemetery plaque donated by the foundation is the same person.
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