This is how I revisited this film last night.
Suddenly I found that this movie is really fucking good, with action, suspense and thriller, not scary, because it wasn't a horror movie at all.
The reason I say this is because I haven't seen any serious films of the above type for a long time. The films nowadays are all quite hypnotic, and there are basically two types of hypnosis:
I don’t understand it , so I
understand it when I fall asleep, so I fall asleep. The
first category is mainly literary and artistic films, which are not included in the discussion. But let me add one more thing, literary films also have black sheep that belong to the second category.
These four recent categories of films, in my case, all fall into the second category. Since when? I think, um, from Soul Chariot. My Cage just let these two beeps give hoho. You said it was filmed, I watched it for 15 minutes and knew what was going on later, so I'm still a conservative estimate. After this trend is over, it will last for a long time, what about The Chronicles of Narnia, National Treasure 2, Indiana Jones 4. I won't mention the domestic ones, and I haven't seen much.
I was like, what's going on here? I suddenly understood yesterday, ah!
Yesterday, I looked at it and found that the love between the male and female protagonists is actually quite a routine, a bridge, and a vulgarity. Why don't I feel bored? That's because, as a blockbuster action suspense thriller, you still have to rely on the plot to attract people. You said that one of the four major categories of yours actually takes love as the main line, and actually takes noble sentiments as the main line. Yes, you have to be sublimated, but don't sublime as soon as you come up, sublime for two hours, then who will suffer! Don't you have to play a little bit to whet our appetites? You put the final boss there from the beginning, and even told me how to fight it, so what am I playing? You might as well shoot a public service advertisement that "smoking is harmful to health".
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