Baldur von Schirach

Frances 2022-03-24 09:03:46

Some of the ceremonies of the German Socialist Workers Party are similar to those of the Chinese Socialist Communist Party.
review! review! Long live the Ministry of Labour! Viva Heads! Long live! This is a stage play of political power!
A strong sense of national pride gushed from the soldiers'...

Jamaal 2022-03-21 09:03:25

Triumph of the Will, a Nazi film. The film is said to have brainwashed millions of people into fanatical Nazis. To clarify and deconstruct the charm of this film, attacking it only from the correct historical view of the Allies in World War II, its destruction is not thorough enough, we should see...

Barbara 2022-03-19 09:01:10

The rabble needs charisma. Riefenstahl and Zhang Yimou have enjoyed this kind of unrestricted shooting.

Aurore 2022-03-27 09:01:21

7/10. From the beginning to the end, a kind of adoration was deliberately exaggerated. The handsome young people in the barracks went into battle after combing and eating, surrounded by cheers from onlookers, and sang the heroic myth of advocating violence very romantically; the close-up is full of people's expectations And shy faces: there are boys who are looking forward to climbing the stairs and tiptoeing, there are children who stick their heads out among the guards and young people with intoxicated mouths. When Hitler came out, Riefenstahl dared to destroy it. The principle of complete composition, the back of Hitler's head is partially cut off in the upside-down composition, but the back is taller, making the parade seem to pass under Hitler's arms, in a famous wide-angle symmetrical composition, with dense squares under review on both sides. On the middle road, Hitler and the two officers start from the foreground and move into the distance, forming loose black spots. The contrast between dense and sparse suggests that Hitler is the source of the people's strength; the dark torch rally and the vague crowd are reduced to decoration. The living background of the fascist aesthetics, those mechanically rigid queues and dancing sermons, make people feel that the fascist aesthetics lacks depth and is just an empty symbol with a fit body.