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Amely 2022-04-20 09:01:06
Just please don't mistake this story for reality...
Supplementary score, a good story in the secular sense. But I think the most important thing to say is this: this film is not realism, but a secret and refined romanticism. (This is probably why it is easy to understand why this film will be marked with an inspirational tag). If you need a little...
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Devon 2022-03-14 14:12:21
What are the highlights and memories of "Burst Drummer"?
1. For Andrew and the girl to break up. I express my deep understanding and agreement. Whatever you gain is what you lose. The important thing is that she can't comfort him or support and understand him on this path. In my opinion she. Not suitable and inappropriate.
2. In the art business, I don't...
Calvin C. Winbush
Extended Reading
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Renee 2021-10-20 18:59:31
If you still have time to ponder the inhumane behavior and the distorted character relationships in the film, then you may have missed the most beautiful part: the rhythm. The editing of the entire film is stepped on every most exciting shot. The performances of the two protagonists are not out of tune in every frame. All the priorities in the film seem to be a natural combination, pushing people to follow the rhythm. The non-madness that belongs to the artistic life cannot survive.
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Dina 2021-10-20 18:59:31
Jk Simmons should be able to win the male match! The rhythm of this film is really great. The jazz music and editing are simply blended together. There is also the vicious lines of the Simmons machine gun version. The dirty characters are as dense and intense as drums. The highlights of the several drumming scenes are all odd and weird. , Relying on editing to give the whole play a one-stop and accelerating rhythm, it is a pity that the whole movie is still broken, otherwise it will really become David Fincher. ★★★★
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Andrew: But is there a line? You know, maybe, you go too far and you discourage the next Charlie Parker from ever becoming Charlie Parker?
Terence Fletcher: No, man no, because the next Charlie Parker would never be discouraged.
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Terence Fletcher: It's good to work, huh? How 'bout, uh, Caravan? Bar 105.
[the band prepares; Ryan Connolly is on the drum kit]
Terence Fletcher: Two bars for free. One, and two, and-
[Band begins to play for a moment only to be immediately cut by Fletcher]
Terence Fletcher: That's not quite right, Connolly, um-. I'd like to try Neiman on this.
[Ryan gets up from the kit and is replaced by Andrew]
Terence Fletcher: Maybe now's the time for Neiman to earn the part. One, and two, and-
[Band plays for a moment only to be cut by Fletcher again]
Terence Fletcher: Nope, I guess not. Tanner?
[a reluctant Andrew gets up from the kit and is replaced by Carl Tanner]
Terence Fletcher: One, and two, and-
[Band plays and is immediately cut off again]
Terence Fletcher: Motherfucker! Connolly, get your ass back on the kit!
[Ryan replaces Carl on the kit]
Terence Fletcher: We will stay here for as long as it takes until one of you faggots can play in time. One, and two, and-
[Band plays and is cut off yet again]
Terence Fletcher: Looks like that might be all night. Neiman?
[Andrew replaces Ryan]
Terence Fletcher: One, and two, and-
[Band plays and is cut off]
Terence Fletcher: Not my fucking tempo!
[to the rest of the band]
Terence Fletcher: Sorry guys, hate to put you through this. If you need to fuckin' take a dump, or get a coffee, whatever, now might be a good time because we're gonna stay here until I find a drummer who can fuckin' play in time. I apologize to the musicians. Seriously, take ten, twenty, a fuckin' hour.
[to the drummers]
Terence Fletcher: You hear me, cocksuckers? You better start shitting me perfect four-hundreds! Connolly, get your fuckin' ass back on the kit!
