Chris Goad

Verda 2021-12-16 08:01:02

Many film critics have talked about a lot of the technical aspects of "Gemini Killer", but no one has analyzed it seriously, and it feels like it was written with a draft. It is hard to see that the film critics who are experimental in this film are not film critics, but book critics.

Let me throw...

Madelyn 2022-04-22 07:01:31

To be honest, Ang Lee is a bit greedy in this movie. He wants to cater to the market, make full use of commercial elements, and he has to talk about the relationship between "me and me", and he has to show new technologies. optimal.

But I still give five stars, because the part that discusses "me...

Wilbert 2021-12-16 08:01:02

Even if you only watch it in an ordinary hall, this 3D brightness... the brightness of the night scene can match the brightness of others during the day. I felt the game feel brought by Ang Lee’s new technology in the last one, and this one feels more game-like. It seems...how could there be a bit of a British drama tune? If the soundtrack can be matched more closely, it may be more igniting, but on the other hand, Lee Ang and commercial films are like fresh water and sea water, mixed together, and it is completely impossible to shoot popcorn. I know the number of frames is enough, but the narrative rhythm, how can I put it, is like Wu Yusen's wraith, just like a slow motion frame. Just boil the frog in warm water. It's like cooking a pot of Maocai without seasonings, you can be funny, like King Ming, not only does it have no atmosphere, but you also get a lunch box! ?

Burdette 2022-03-28 09:01:03

①The 120-frame 3D version is indeed a medium form that is really suitable for large-scale action films. The high-speed footage is smoother and clearer than reality. The scheduling and look and feel of the motorcycle chase scene are excellent, the atmosphere of the catacomb scene creates a colorful atmosphere, and the heavy machine guns in the store are raining. The invulnerable enemies are even more memorable. The drowning nightmare and flames burn through the viewer's sensory depths and nerve endings. ②Another attempt and breakthrough in Ang Lee's technology - the synthetic little Will Smith is almost flawless. The reflection on the relationship between father and son and the intertextuality inside and outside the play make the text of the film not lacking in depth. ③ Winstead's role is no longer "the rescued" or "hero's reward", but self-reliance and saving the male protagonist many times. PS: High frame rate and high definition better demonstrate the beauty of Sister Wen. ④The camera has repeatedly highlighted Bacon's triptych on the wall of Clive Owen's house - the art designer or screenwriter must know that Deleuze's "On the Logic of Sensation" and his paintings of Bacon "directly and truly convey the feeling with the flesh" The argument of the film is in line with the film's reflection on the painlessness and insensitivity of genetically modified cloned weapons and the emphasis on the perception of the human body. (9.0/10)