Don Letts

Sadye 2021-12-11 08:01:14

I like this work very much. It is absurd, bitter, stubborn, and true, and it shows incisively and vividly.

The first half of the pumpkin is like the most persistent and most hardworking, but humble, poor bug who has the most extreme self-confidence to support himself. He really doesn’t understand...

Adrianna 2021-12-11 08:01:14

The movie master Martin Scorsese’s "The King of Comedy" and his predecessor, "Taxi Driver" are both stories about the unknown little character "surpassing fame": it's just that the latter is a taxi driver who lost sleep all night and fell in love. Wanting to assassinate the presidential candidate...

Lew 2022-03-26 09:01:05

85/100, the more absurd the story goes, the more real it seems to be in this era of entertainment to death. But what it can convey is not only the indictment or thinking about entertainment, but also the insurmountable insurmountability of a certain class barrier. The highlights of this work are not exposed too much, but through Martin's precise emotional control, a variety of emotional transformations are quietly arranged.

Ashlynn 2022-03-24 09:01:53

Zhou Xingchi's work of the same name is still a reference to this one. The film adopts a sardonic tone, criticizing and mocking the field of American TV and film in the last century. A rather bizarre event, a bitter interpretation experience. It is more like a violent accusation against the solidification of the class to be the king of the night than to be a boring person for a lifetime, and the popularity after being released from prison is also an irony. The characters in Martin's works are all unique and distinct. In general, this film is similar to a taxi driver to a certain extent. The evolution of the characters is very solid and helpless, and has a strong psychological motivation.