-
Ryleigh 2021-12-22 08:01:04
Stalag 17
During the Second World War, a group of soldiers were locked up in a German prisoner-of-war camp; they repeatedly planned to escape, but they were repeatedly found out by the Germans, making them suspect that there was an insider. Everyone continued to plan to escape from this "unbreakable"...
-
Leann 2021-12-22 08:01:04
Love Billy to death. . .
A large number of classic video works emerged in Hollywood in the 1930s and 1940s, and these works only portray all kinds of life in black and white. Perhaps, today, more than half a century later, when we encounter the low ebb in life and want to feel the true feelings in the world, watching a...
Harvey Lembeck
-
Elizabeth 2022-03-24 09:02:11
D'après la pièce Stalag 17 de Donald Bevan et Edmund Trzcinski. Rewatch "Le Rayon vert" (minus)
-
Danielle 2022-04-23 07:02:32
The prisoner-of-war camp constrained by the Geneva Convention, the restricted cell boss and the prisoners of war who resisted from time to time, cutting from this point can always form a comic effect. Sure enough, directors who have a sense of humor and have made comedies are most suitable for war themes. Wilder's script is extremely perfect. It always forms a complete closed loop from the beginning of the scene to the end of the same scene. The difference between the beginning and the end can also play a role in strengthening the contrast. And this kind of shooting method that focuses on portraying the emotions of the characters has also shot an Oscar winner.
Related articles
-
Animal: [watching Sefton cook an egg] Are you gonna eat it all by yourself?
Sefton: Mm-hmm. The yellow and the white.
Animal: Is all right if we smell it?
Sefton: Just don't drool on it.
Shapiro: You're not gonna eat the shells?
Sefton: Help yourself.
Animal: [Harry gives him half the shell] Hey, thanks. What are we gonna do with it?
Shapiro: We're gonna plant it, Animal. We're gonna grow us a chicken for Christmas.
-
Price: How come you were so sure Manfredi and Johnson wouldn't get out of the forest?
Sefton: I wasn't so sure. I just liked the odds. What's that crack supposed to mean?
Price: They're lying dead out there in the mud and I'm trying to find out how come.
Sefton: I'll tell you how come. Because you, our security officer, said it'd be safe.
[to Hoffy]
Sefton: And you, the barracks chief, gave them the green light. That's how come. What are you guys trying to prove, anyway? Cuttin' trap doors, digging tunnels.
Duke: Listen, Sefton...
Sefton: You listen to me! What do you think the chances are of gettin' out of here? And let's say you make it to Switzerland. Let's say to the States. So what? They ship you out to the Pacific, slap you in another plane, and you get shot down again. Only this time you wind up in a Japanese prison camp. That is if you're lucky. Well, I'm no escape artist. Cigar, Cookie. You can be the heroes, the guys with fruit salad on your chest. Me, I'm stayin' put. And I'm gonna make myself as comfortable as I can. And if it takes a little trading with the enemy to get me some food or a better mattress, that's okay by Sefton.
Duke: [Sefton lights a match on his jacket sleeve] Why, you crud. This war's gonna be over someday. Then what you do you think we'll do to Kraut-kissers like you?
