Lara Heller

Lola 2022-02-25 08:01:30

In human history, poverty, hunger, killing and other sufferings have never stopped. In this era, these most primitive human disasters are becoming less and less in life. Therefore, making an epic blockbuster must also touch the audience with the brilliance of humanity. And it is extremely difficult...

Eriberto 2022-02-25 08:01:30

For many years, the focus of the dispute over the Armenian massacre was not "whether there was a massacre", but "whether Turkey is responsible for this crime". Under modern values, genocide is considered to be anti-human, which to a certain extent was caused by the slaughter of Jews in World War...

Joelle 2022-02-25 08:01:30

The final chapter of Fatih Akin's "Love·Death·Devil" trilogy. This is also the first time Ah Jin has set foot in non-current life, filming historical chronological dramas. The first half is about the Armenian massacre in the Ottoman Turk Empire during World War I. The second half is the wandering and searching for women of a surviving man, spanning Turkey, Lebanon, Cuba and the United States. After nine deaths (through hard labor, escaped the slaughter, survived the desert, worked everywhere, picked up the train twice, stole the chicken and killed the manor in the fight, experienced the cold and trek alone...), finally with a living person Daughter reunited. The music is used well, especially the Armenian ballad that repeatedly reappears and conveys identity, and the surreal conjectures that have appeared on several occasions-the calling of a wife and daughter in a dream or after a coma is impressive. It is the best passage to watch Chaplin as a group. However, the whole film is relatively clichéd, fragmented, and procrastinated. There is no in-depth discussion on the issue of faith (although Ah Jin said in the interview that "the male protagonist has lost his religion and gained spirituality"). (7.0/10)

Kurt 2022-04-21 09:03:25

Armenians are so miserable.