Lars Ekborg

Marcos 2022-01-18 08:01:21

Romantic love and marriage are very difficult to be compatible. The passion of love will eventually endure the test of firewood, rice, oil, salt, sauce and vinegar tea. Perhaps romantic love itself has his misunderstanding of love, which means that love is not only a romantic side, but also that...

Emmanuel 2022-01-18 08:01:21

The most memorable thing in the film is Monica's unruly face and body full of vitality in the sun and in the waves. She smokes fiercely, disregarding all disciplines, wild and charming. Bergman undoubtedly made Monica's beauty the most extreme presentation. She is like a beast, ignorant and...

Akeem 2022-04-23 07:03:54

Such a willful and annoying character, Bergman, took a deeper perspective related to the character of the original family. At the end, the mirror is at the master level. I really feel that my fan filter is too heavy, but I can't restrain myself. 2020.4.30 Rewatching who would have thought that this relatively mediocre, lightly realistic film will follow These are two masterpieces, what happened to Bergman in the past two years, maybe it was inspired by Monica picking wild strawberries

Alice 2022-03-19 09:01:08

Barely passing. In just 96 minutes, it accommodates the complete process of a pair of lovers hooking up and becoming a rape (by mistake), an isolated island honeymoon (this film reminds me of Mishima Yukio’s "Tide Sao"), Fengzi’s marriage, and the complete process , But even so, I still feel dragged. This is a love tragedy caused by nature and class limitations. If Bogman’s every film is talking about "something does not exist", this one The theme can be boiled down to "love fairy tales do not exist". There are still some bright spots in the whole film. First, the 21-year-old Anderson appeared naked, with a full body, and the role of pure debauchery, enthusiasm, and recklessness. The second is that Bergman has a good grasp of details, the layout of the fruit shops, the empty mirrors of the clouds swallowing each other by light and dark, and the dramatic but invisible lighting (the scene on the train was studio shot, but The movement of the light is well taken care of), plus the actors who live in the state as soon as they enter the scene, Bergman is already a top scheduler at this stage. In addition, I suddenly remembered that Burgman’s perception is quite similar to Kurosawa Akira, and the two have similar grasp of light and shade.