-
Ara 2021-12-30 17:20:42
Tough Guy Detective
A new and refreshing detective with too much personality.
If you refuse to accept it, do it, grab the gun empty-handed, ignoring the police and ruining the flowers.
-
Eldora 2021-12-30 17:20:42
"The Maltese Eagle" in the movie book
Film noir[America]James Naremore / 2020 / China Academy of Art Press✒︎ The 1932 adaptation of "The Maltese Falcon" (The Maltese Falcon) was called "Dangerous Female", and the "Double Compensation" adapted by Billy Wilder and Raymond Chandler was tentatively scheduled It's called "Incendiary...
Lee Patrick
-
Idell 2022-04-22 07:01:08
The stuff that dreams are made of
-
Lavonne 2021-12-30 17:20:42
The foundational work of later generations, the whole film is run through by the "McGoffin", the Maltese Eagle. The switching of the camera renders the treacherous atmosphere of suspense and anxiety. It is just right to use the overhead shot when the character is in danger, and the overhead shot when the character is relatively dominant, which makes the audience worry about the protagonist's situation. However, in the end, the opponent threw a string of harsh statements and still used overhead shots. They did not know that they were about to be caught in the next second. This may be a psychological hint from the director that he is strong and weak, and through such psychological The suggestion and the reversal of the plot promote the climax and increase the suspense effect. Finally, it ends with the shadow of the elevator on the face that symbolizes evil. But who can say good and evil? Everyone is just dripping in the same muddy water. The only winner from the beginning to the end is the eagle, who looks around and overlooks the crowd, symbolizing authority, but it has never been seen by anyone. The truth is so far away.
Related articles
-
Brigid O'Shaughnessy: What would you do if I didn't tell you? Something wild and unpredictable?
Spade: I might.
-
Sam Spade: If you kill me, how are you going get the bird? And if I know you can't afford to kill me, how are you going to scare me into giving it to you?
Kasper Gutman: Well, sir, there are other means of persuasion besides killing and threatening to kill.
Sam Spade: Yes, that's... That's true. But, there're none of them any good unless the threat of death is behind them. You see what I mean? If you start something, I'll make it a matter of your having to kill me or call it off.
Kasper Gutman: That's an attitude, sir, that calls for the most delicate judgment on both sides. Because, as you know, sir, in the heat of action men are likely to forget where their best interests lie and let their emotions carry them away.
Sam Spade: Then the trick from my angle is to make my play strong enough to tie you up, but not make you mad enough to bump me off against your better judgment.
Kasper Gutman: By gad, sir, you are a character. There's never any telling what you'll say or do next, except that it's bound to be something astonishing.
