Malgorzata Foremniak

Dejah 2022-01-17 08:02:43

Existence and nothingness are fears and unknowns that humans can never overcome.

Ash is a symbolic character, an isolated and magnified individual. Although philosophers have always spared no effort to prove the indelible sociality of human beings, this attribute is not enough to find themselves....

Dana 2022-01-17 08:02:43

Personally, I feel better than the "eXistenZ/sensory game" of the same theme, and better than the director's "Ghost in the Shell" series. I don't play games, movies are my virtual reality. It’s not clear why the director chose Poland, but what was pleasantly surprised was the dedication of the...

Trenton 2022-01-17 08:02:43

#CyberApril# Mori Oshii and Kenji Kawai are working together again. Polish is better than English to create a sense of shabby, stagnant, and post-war depression. After attacking the shell, Bajido reappeared, and Oshii once again questioned the margins of virtual and real. 94-bit login password, Linux operating system and immersive VR games. A four-layer game world is constructed from B-level, A-level, Special A to Class Real. The real world is a mapping of subjective consciousness until the player cannot distinguish between reality and illusion. The shell of personal will. The gift of the silver ring and the forgotten crown on King Arthur's head, whether Avalon, which can only be reached by the team escorted by the Nine Sisters, exists, and whether it exists is real. You can still see the animation's performance techniques: the stalled passers-by on the stairs, the repeated shots, the upgraded shots in the game space, and the wide-angle shots when feeding the dog.

Aletha 2022-03-27 09:01:18

The heroine's image design failed. The big mushroom head is like a dick who wears loose pants that can't reach the ankles and oversized shirts and trench coats. Going out to look for a dog, her face is blue and black, like she is about to become a ghost. In the last part of walking, the upper body hardly moves and leans forward like a dead old woman, which completely covers the splendor of the Eastern European style after World War II.