Manuel Morón

Margaretta 2022-04-23 07:02:12

In Almodovar's films, bright colors are his traditional style, and the highly saturated colors in the film reflect the postmodern style, and this film was released in 1999, from which we can see the director's thinking Still very avant-garde. I also suddenly discovered the inseparable relationship...

Jasen 2021-12-13 08:01:09

At the beginning, the movie seemed to be a life tragicomedy that people have become accustomed to. A single mother and a son with a dream of a writer were suddenly interrupted by misfortune. The mother returned home to find the biological father of her son. A woman like this kind of handkerchief...

Celine 2021-12-13 08:01:09

Almodovar is so obsessed with the human body, he always composes all kinds of bizarre plots, wanting to find out all the possibilities of the most bizarre relationship between this skin and the soul. He let those who love each other transplant organs, transgender, plastic surgery, staged the coldest plot in the most glamorous background. In the cutting and grafting of the body, is he her or you or me? In fact, in the common suffering of mankind, we have long been unable to separate.

Jamir 2022-03-28 09:01:03

A movie brings together bereaved children, lesbians, transsexuals, prostitutes, drugs, AIDS, etc. In terms of dog blood, Aunt Qiong Yao will give Almodovar three points. But Almodovar's blood may make your jaw drop, but never roll your eyes. Because the women in Almodóvar's works are never attached to men, and they are never judged by outdated values, the natural trust and mutual assistance between them, ignoring each other's identities, is touching. The four main characters represent the innate roles of women, part mother, part actor, part saint, and part woman by nature. And the one who harmed them represents the original sin of women. And the short-lived appearance of the culprit was equally heart-wrenching. Almodovar deserves to know women best. The intertwined stories of several characters can reflect so many deep and true connotations, which is a genius play. Several other shots are impressive, such as the son running away from the mother, Barcelona refracted by the car window, and "success is colorless and tasteless, after getting used to it, it is the same as nothing" and so on. Only the ending is slightly redundant.