Michelangelo Antonioni

Michelangelo Antonioni

  • Born: 1912-9-29
  • Height: 5' 10" (1.78 m)
  • Extended Reading
    • Elfrieda 2022-03-23 09:02:48

      "Now the pain is back, like a sad dog."

      I just watched the first half, and I can't make up my mind (I never pay attention to names, only recognize faces, so I am confused), the first half looks very ordinary. I'll wait until the second half to finish. The flv format is not very clear. Fortunately, the subtitles are clear. I hope that a...

    • Drake 2022-03-22 09:02:28

      The love of male intellectuals

      Intellectuals are known to be very narcissistic. Therefore, in literature, in movies, their own marriage and love are over-represented themes. Their love has been told a hundred times in different ways, and finally, there is one, the author, who leaned down and wrote about the grievances of a poor...

    • Crystel 2022-03-28 09:01:08

      9.5/10. ① Talking about the various lives of middle-class male and female protagonists in a day. It shows that their passion for marriage and love no longer derails their thoughts and behaviors; ② It still uses various landscapes, wonderful compositions generated by spatial structures, modern noises, etc. to express the alienation of the characters. Such as the sound of airplanes, the sound of rockets, various ruined building landscapes, barren grasslands (the end), the composition of the use of space when the heroine travels the city alone, etc.; ③ The use of glass to show alienation: such as the elevator descending at the beginning The city on the reflective glass in the viewpoint shot, the room where the male protagonist enters the small three-throw box at the party; ④ As always, a large number of high-level scheduling: keywords include deep focus shots, long-running shots, no front and back shots (such as the male protagonist and the mistress). The indoor scene and the conversation scene between the male and female protagonists at the end); ⑤ The light and shadow flow between the male protagonist and Xiaosan driving in the rain is very good, and the backlighting in this is very good to set off the ambiguity.

    • Axel 2022-03-28 09:01:08

      Watching the movie on the 14th anniversary of Antonioni's death. 1. I am very tired of the feast. The first hour was a lot more interesting than the second half. Especially Lydia's great walk. In her marriage with the male lead, a typical intellectual, she has only room to roam alone. In the city, at a banquet. There is no purpose. She just watched persistently, but she could never escape the fate of being watched. It's like there are several scenes in the foreground where bird cages are placed. "You still don't understand the weight of time, everything is in vain." 2. Of course, the male protagonist is also exhausted. Intellectuals are hypocritical and selfish, but they still have sympathy to talk about poor self-esteem. And this class is irrevocably reduced to capital's door. 3. At the end, Lydia's desperate rejection of the male protagonist's behavior of seeking pleasure encloses a right bracket for the first half of the plot where the female protagonist fails to seek pleasure. She reads the letter for him, and he has forgotten that he wrote it to her. A "night" has passed, and it is time for the "eclipse". The front and back are seamless. 4. Laota said that the last embrace of the male and female protagonists is like the embrace of two people who are about to drown. 5. The Nobel Prize writer is Quasimodo

    La Notte quotes

    • Valentina Gherardini: Whenever I try to communicate - love disappears.

    • Roberto: Our time, sir, is vile and anti-philosophical, afraid to take a stand on values. As for democracy, in a nutshell, it means: take things as they come.