Mitchell Butel

Mitchell Butel

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  • Extended Reading
    • Cletus 2022-04-19 09:01:29

      what is human

      I watched the director's cut of 111min.

      4.5 stars on my combined score. The film is reminiscent of Blade Runner (1982), The Truman World (1998), The Matrix (1999). The latter two were released after "City of Souls", and it is said that "The Matrix" was greatly influenced by the film.

      It is indeed a...

    • Herta 2022-04-19 09:01:29

      In-depth film concept: white left.

      [Spoiler] [Extreme personal opinion] [Dodge for those who are uncomfortable]

      The main story of the film:

    • Laury 2022-03-21 09:01:25

      Although most of the sci-fi films have the legacy of German expressionism, none of them can be so perfect in art, make-up, and lighting as this film. It can even be said that it uses modern film technology to restore a "Carriga" In "Metropolis", the exploration of propositions such as memory, spirit, body, identity, etc. is also closer to the original expressionism, rather than its rheological variant "film noir". The atmosphere is the protagonist, the real protagonist is insignificant, and the role of Jennifer Connelly is even more embarrassing and empty. The final battle of ideas is too scary, but before that, the director has created an exciting dystopia. (If Universal's dark universe can do this, it won't be a hit!)

    • German 2022-03-20 09:01:23

      In 1998, it was really boring to fry the cold rice of The Matrix and Truman. The final battle in particular highlights the vulgar taste of Hollywood.

    Dark City quotes

    • [Murdoch opens the door to what should be Shell Beach and instead sees the same sign he saw earlier advertising it. Murdoch walks up to the sign, confused]

      Dr. Schreber: There is no ocean, John. There is nothing beyond the city. The only place home exists... is in your head.

      [Chuckles a bit at the irony]

      Dr. Schreber: [Murdoch and Inspector Bumstead tear the sign from the wall, exposing bricks. They then begin to hammer at the bricks with pickaxes]

      Dr. Schreber: No! No! John, stop! No! Stop! Please! No!

      [Bumstead and Murdoch reach a soft spot in the bricks and begin to pry at it. John, frustrated, uses his tuning to push away the brick wall. What results is the bricks falling away exposing space, almost sucking Bumstead out and showing the bricks crashing against the ship's newly exposed forcefield. Murdoch and Bumstead stand there, stunned. Meanwhile, a group of aliens walks in from behind them]

      John Murdoch: What?

      Mr. Hand: And now you know the truth.

      [Fight ensues]

    • Mr. Hand: It seems you have discovered your unpleasant nature.