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Lolita 2022-03-18 09:01:02
I can't find my hotel on the road of life
Reminds me of Yu Hua's "Going Out at Eighteen"
Magical realism, absurdity, dark humor, earth-shaking are all boring. 7:8, the first 2/3 and 7:5, the cow on the roof is 0.4, and the vulgar ending is 0.1.
There is still a bit of a gap between the peak works of the Coen brothers, the story development...
Quinn Gasaway
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Albertha 2022-04-22 07:01:03
Keep watching and you'll see surprises, the Coen brothers will never let the audience down - the music in the film is amazing
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Tamia 2022-03-21 09:01:17
The blue grass from the beginning to the end unobtrusively shows the folk songs and enthusiasm of the Coen brothers. The deep southern legend, combined with a unique sense of form, serves this story of escape and deception, and it is also appropriately directed. The absurd fate that the brothers most desire to express. Robert Johnson, who sold his soul to Satan at the Mississippi Crossroads, became Jonny Johnson in the film, and looked exactly like the legendary greatest blues guitarist.
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O Brother, Where Art Thou? quotes
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Pappy O'Daniel: I'll press your flesh, you dimwitted sumbitch! You don't tell your pappy how to court the electorate. We ain't one-at-a-timin' here. We're MASS communicating!
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[Discussing how to counter Homer Stokes' campaign for governor]
Junior O'Daniel: We could hire our own midget, even shorter than his.
Pappy O'Daniel: Wouldn't we look like a bunch of Johnny-come-latelies, bragging on our own midget, doesn't matter how stumpy.
