Sven Wollter

Sven Wollter

  • Born: 1934-1-11
  • Height: 6' 0¾" (1.85 m)
  • Extended Reading
    • Blaze 2022-03-22 09:02:50

      Bosom friend

      His works have everything I want, tension, rhythm, details, emotional atmosphere, humanistic care

      Once in class, he mentioned the second movement of Planck's Cello Sonata. The teacher mentioned Tarkovsky's sacrifice. He said that in the summer of 1986, the film was released in West Germany. At that...

    • Zane 2022-02-07 14:49:21

      The cry of reality, the salvation of the spirit - sacrifice

      Tarkovsky's near-desperate movie tree tree can be hope, just like the story Alexander told at the beginning of the movie, the tree has no roots but is planted there and watered every day, praying for it to come alive and bring people new hope and happiness. value. But this is impossible after all,...

    • Harley 2022-03-22 09:02:50

      Faith in the world is just a simple description. From escaping doubt to enlightenment, Tarkovsky put it into practice with truly pious movements, which is his most admirable aesthetic feature. Moreover, the self-consciousness is sealed on the screen with film consciousness, leaving everyone free. Only if you actively want to enter the image exploration can you experience it, which is the same meaning as sacrifice.

    • Lonzo 2022-03-15 09:01:10

      The Grand Prix of the Jury at Cannes in 1986, the legacy of the old tower. The mini-room model is like "Nostalgia", the floating sex is like "Stalker", the long shot after the house is on fire is shocking, the old tower frequently switches between black and white and color, and everyone in the dark room is picturesque and silent, talking The unconventional past events and the cold environment description create a despair like the arrival of the end of the world. He is a lunatic, a true poet. |The scene of Shusheng at the end and "Ivan's Childhood" constitute a life/creation cycle.

    The Sacrifice quotes

    • [first lines]

      [sub-titled]

      Alexander: Come here and give me a hand, my boy.

    • [last lines]

      [sub-titled]

      Gossen: In the beginning was the Word. Why is that, Papa?