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Raleigh 2022-03-20 09:01:21
Several impressive clips
1. Why did the girl who was taken in by the husband and wife next door suddenly fall from the building? According to her, the husband and wife treated her like a daughter, but when she died, there was no trace of sadness on the old lady's face, because she crashed their secret?
2. The scene of...
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Raleigh 2022-04-21 09:01:27
Movie diary
I was torn between giving four stars or five stars, because the later filming was relatively slow, which made me guess different and possibly different endings. It was very exciting, but what I am not satisfied with is that women are filmed as waste who only want children! The feeling that a woman...

William Castle
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Kameron 2022-03-24 09:01:24
I found that these directors were very young when they made classics. This film is really good, not scary, but the psychological portrayal of the characters is in place.
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Kiarra 2022-04-24 07:01:03
4.5 Well-deserved reputation! Looking down on the mystery opened by fate, the narrator does not hide the subjective focus of the whole, because the cruel reality commonly known as the continuation of life has its limits, so the ironic strength of a demon reconciliation will far exceed the former threshold. Filling the gaps that are almost reversed will inevitably escalate to Mia Farrow's choice at the end. Although not killing infants will obviously displace its original intentions, it will directly raise the suspense image (MacGuffin) to the level of belief. , which is undoubtedly the ultimate irony.
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Roman Castevet: To 1966! The year One.
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[First lines]
Mr. Nicklas: Are you a doctor?
Guy Woodhouse: Yes. Yes.
Rosemary Woodhouse: He's an actor.
Mr. Nicklas: Oh, an actor. We're very popular with actors. Have I, uh, seen you in anything?
Guy Woodhouse: Well ,let's see, I-I did "Hamlet" a while back, didn't I, Liz? And then we did "The, uh, The Sandpiper" and then...
Rosemary Woodhouse: He's joking. He was in "Luther" and "Nobody Loves an Albatross" and a lot of television plays and commercials.
Mr. Nicklas: Well, that's where the money is, isn't it? Commercials?
Guy Woodhouse: And the artistic thrills, too!