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Alysha 2022-03-24 09:03:01
All prison break movies are weak in front of this. . The whole film is very gentle, but it is very tight and tense, and it is almost always watched with breathlessness. . All in one go. And there is no cumbersomeness at all. The director really showed it without embellishment like the sentence at the...
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Fred 2022-03-24 09:03:01
All prison break movies are weak in front of this. . The whole film is very gentle, but it is very tight and tense, and it is almost always watched with breathlessness. . All in one go. And there is no cumbersomeness at all. The director really showed it without embellishment like the sentence at the...
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Alverta 2022-03-23 09:02:48
[B+] The pros and cons are exactly the same as "Green Light". It was dominated by minimalism, and the jailbreak itself seemed mediocre. And the minimalism here is simply a false proposition. While constantly reducing the unnecessary elements in the picture and narrative, most of the narrative is completed with excessive and disgusting narration. The final escape scene completely abandoned the concept of minimalism, which was even more nondescript. Of course, the filming is still pretty good....
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Willa 2022-03-23 09:02:48
The first Bresson. Properly minimalist, the whole film is neat and tidy in one go, without any extravagance, and there are almost no bells and whistles. The implementation of anti-typing, the early stage is a little dull and procrastinating, combined with the advantages of the subject matter to create a cold atmosphere of the film, it is expensive in reality but at the same time it stops there, the whole process is "cold" and there is no emotional output. The psychological characterization is...
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Idella 2022-03-22 09:02:28
Refining the narrative with strictly selected core perspectives, holding the audience away with crisis from outside the painting. There has never been a prison break-themed movie with such austerity and...
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Meta 2022-03-22 09:02:28
Refining the narrative with strictly selected core perspectives, holding the audience away with crisis from outside the painting. There has never been a prison break-themed movie with such austerity and...
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Paula 2022-03-22 09:02:28
A work of genius, literature is perfectly integrated into the new art form of film, no wonder Duras is full of praise for it. At the same time, Bresson is well versed in the method of creation. He discards all unnecessary elements, but uses reduction rather than simplicity. In a prison cell of less than ten steps, Bresson created a large enough inner space, through a simple framework To solve the complex question of "why is he here, why is he out like this", "the most complicated is often the...
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Rubie 2022-03-22 09:02:28
Not just a film, but a perfect essay on the relationship between more and less, simplicity and complexity in film narratives; when Bresson succinctly and quickly promotes development, but at the same time depicts details in every detail, the The resulting powerful force made people...
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Kacie 2022-03-22 09:02:28
If the "Uniform Guard" is shot from an objective angle, it would be very ordinary and become a general action movie, but the calculation guard is facing the side to describe one-hit kill. The use of the subjective lens here can give a glimpse of the director's minimalist style....
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Sandrine 2022-03-22 09:02:28
Bresson is so precise and cool, and the sound is so detailed, so amazing. When the rhythm of the movie is so good, he still doesn't allow the audience to get too excited. Every time I sit in a different position, I think, the excitement is coming! Pressed back by him again?… Also: Kenneth Lonergan (and many others) must learn from Bresson how to use classical music for...
A Man Escaped Comments
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Braxton 2022-01-12 08:01:19
"Death row escape" 9.0 (1956)
④
The commentary of "Film History" is an analogy, saying that Bergman's movie is a "theatre", Fellini's movie is a "circus", and Bresson's is a "prison."
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Emilio 2022-01-12 08:01:19
"Death row escape"
Summary of the film:
The film is based on real people and real events, and won the Best Director Award at the 10th Cannes Film Festival. During the German occupation of France, Germany ruled it as a puppet. French Lieutenant François Lettrell was imprisoned as a prisoner. The story of the Nazi...
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Le lieutenant Fontaine: Do you believe in luck?
François Jost: I used to. It didn't work out.
Le lieutenant Fontaine: Maybe you're the one who blew it.
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Le lieutenant Fontaine: [Narrating, after giving his word to the prison warden that he would not try to escape again] Who were we kidding? He certainly did not believe me. As for myself, I was determined to escape at the first opportunity.