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Nadia 2023-01-25 15:27:41
It seems like a sequel to "Boy Meets Girl". Many clips are mixed in self-salutation, editing, switching, and smooth elements - opera, talk show, musical, crime, romance, horror... I like the scene from the theater to the forest, the stage and reality ( Ann's home) audio-visual language is very...
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Haven 2022-12-18 01:39:54
The brand-new Carax-style viewing experience, from beginning to end, is full of high-level sense of modern cinema, which is really amazing as the opening film of Cannes. However, such a bold and reckless creation, completely disregarding the personalization of the audience's understanding, has raised the threshold for movie viewing, and it is destined to be only a carnival within the film...
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Westley 2022-11-29 15:29:01
3.5/ The song is unpleasant, it is uncomfortable to look at the doll, and I like the photography and color...
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Iva 2022-11-28 22:14:22
Eeh is too boring to sleep behind a...
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Salvador 2022-11-23 21:35:01
3.5/ Karax does a great job of audio-visual, with captivating sets and live-action, vivid and eerie colors, well-designed lighting and shots, free-roaming space switching and scheduling, etc. border. But at the same time, the narrative uses a classic to a bit outdated story, showing a trend that runs counter to the whole set of audio-visual exploration, pulling each other's steps. I was thinking, if the same script is put in the theater, with the current performance lighting, etc., but throwing...
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Stephania 2022-10-28 19:21:12
The best of 2021, maybe even the best of the 20s so...
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Savannah 2022-10-21 01:08:14
100/100. Not like a movie, but more like the final words of a death row prisoner before his execution; Leo Karax wrote a painful quench of a fiery flame in a way unlike any other filmmaker. ; This is the most desperate video presentation of the year, bar...
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Zelda 2022-10-18 18:59:35
From now to the...
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Joy 2022-10-13 23:45:08
Ugly and ugly are more...
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Alexzander 2022-10-13 04:16:52
Green, Oscar sits in the driver's seat of the stretch car, and his soul goes to "Sacred Motors". The ghostly revenge of Shakespeare's play, the cursed puppet Holy Infant, the classical dramatic tension that tends to be contrived is integrated into the extremely modern and ever-changing forms, which makes people tremble at the beauty of image rhetoric; It is broken, presenting an audio-visual spectacle of extreme paradox. Tragic passion and contemporary frenzy impact sensitivity and sensuality...
Annette Comments
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Sandrine 2022-04-20 09:02:47
When you become me, I can be me
This film is not just a story about love and murder. The intention of the director Karax is to force the audience to speculate on the intention of the director, that is, the awakening of the audience's subjective consciousness and the liberation of the creator that it brings.
This film discusses the...
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Liana 2022-04-20 09:02:47
A performance that is both naturalized and deconstructed into "singing"
Movies must be accustomed to expressing in silence. The life itself as a portrayal object is not damaged. The monologue performance as another track is stripped and needs to be finalized through post-processing; while musicals are accustomed to the unified appearance of the characters’ voices. ,...
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Annette in Prison: Now you have nothing to love.
Henry McHenry: Why can't I love you? Can't I love you?
Annette in Prison: Now you have nothing to love.
Henry McHenry: Can't I love you, Annette?
Annette in Prison: No, not really, Daddy. It's sad but it's true. Now you have nothing to love.
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[repeated line]
Henry McHenry: There's so little I can do. There's so little I can do.
