Battleship Potemkin Comments

Talia 2021-12-20 08:01:14

Textbook piece. There are expert comments, not one sentence...

Amelia 2021-12-20 08:01:14

Some people say that he died for a bowl of soup, but when the people raised their arms and shouted, I understood that it was not just a bowl of soup, it was two bowls of soup, three bowls of soup, and even thousands of bowls of soup. The editing is pretty cool, and there are basically new shots every second. In the period of black and white movies where fixed camera positions were popular, the effect of this multi-camera + editing can be said to be quite conspicuous. As for the Odessa Stairs, I...

Ida 2021-12-20 08:01:14

Four and a half stars. 1 4 ALL, ALL 4 1; 1 AGAINST ALL, ALL AGAINST 1. Odessa Stairs: A textbook-level...

Jordyn 2021-12-20 08:01:14

The D version of the VCD in the 1990s should give this film the following slogan: The warship mutiny set off a revolutionary turmoil, compact and moving, mixed with joy and sorrow, and there is no cold field. Soviet gold medal director Eisenstein "Ivan the Terrible", "October...

Destini 2021-12-20 08:01:14

Quick and juggling montage editing, chaotic and tense steps in Odessa, skillful scheduling of mass scenes, long-shot overhead shots, for a spoonful of borscht, the hero’s blood will not flow in vain, the revolution is innocent, and the rebellion is...

Zion 2021-12-20 08:01:14

There is no fuss about the technology, as for the plot...everyone...

Kelsie 2021-12-20 08:01:14

The film ninety-four years ago was overwhelmingly rhythmic. The last time I saw it was probably at the beginning of last year, this time I opened station B directly from the second half. Suddenly jumped to a close-up, and now I look at Pioneer. Black and white films pay special attention to the shape of shadows. This film magically has no "protagonist", and it can't even be regarded as a group portrait. The opening of the film, the stormy waves and the shore, hint at the turbulent changes on...

Kacie 2021-12-20 08:01:14

The fairy tale of communism, but I have to admit that it has a sense of lens and motivation. The selection of plots and the shift of shots both have a classical beauty that is deeply influenced by...

Rosario 2021-12-20 08:01:14

People and maggots, scenes on the back deck, the dead calling for revenge, the Odessa steps, encounters with the fleet. Eisenstein’s dialectical movement theory, montage of the Odessa ladder, more than 160 shots in 8 minutes, a powerful attempt to magnify time and space in the film. Hand-dyed red...

Kathleen 2021-12-20 08:01:14

Eisenstein created a Soviet-style montage that is different from American editing. The speed is faster and more fierce. The far, medium and short shots include frequent switching of tricky angles. Various local close-ups are used more boldly, and the effect is more oppressive and impactful. It is more provocative and is definitely suitable for the brainwashing effect of literary works in socialist countries. At the end of the second act, at the beginning of the third act, the rhythm suddenly...