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Antonio 2023-02-08 05:13:07
The problems of teenage education brought about by the post-war baby boomers seem to sing praises to the beat generation in any...
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Kacie 2023-01-14 16:08:35
The rebellious young people in the 1950s, the students on campus were rude and evil like beasts, I was really angry when I saw the broken record... The final "Jungle Showdown" was designed so well, the campus and education have always called for love and tolerance, It is also a good idea to think in terms of survival of the fittest. Chop him! ! ! I'm mad at me, dog ×...
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Nikki 2023-01-06 12:28:59
Rock Era unveiling. Instead of taking the idealistic route of turning the wind into the rain, it shows the difficulties of fighting against the poor and bad boys. The brilliance of the protagonist can only shine on those who are good in their...
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Arielle 2022-12-08 00:31:35
Naked, no subtitles,...
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Casey 2022-11-21 17:46:02
The film is so-so, but the history is of great significance. Since then, there will be films with the same story almost every year. Brooks has a keen eye for the peculiar social and cultural background of a postwar generation of teenagers. Rock music replaces jazz tights and black-and-white mixed schools and racial issues. By contrast, other similar films (such as Rebel Without a Cause) are just scratches. But the other woman in the married life and the wife are pregnant with the...
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Marlee 2022-11-11 01:28:07
Generally speaking, educational films about the relationship between lecturers and students are considered dramas, but this one is a crime film: in addition to making trouble, bad boys will beat up, smash, and even rape the female teacher! And in the end, it was the teacher who solved the problem by fighting the bad boy one-on-one. It is no exaggeration to use the title "Jungle". ////// The protagonist is not flawless. At the beginning, his unconscious racial stereotype made him suspect that...
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Devonte 2022-11-09 11:00:31
One of the most respected educational...
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Napoleon 2022-10-23 23:41:25
4.5. Glenn Ford is perfect for a role of this kind of integrity. The wife asked her husband if the teacher who was bullied by the students was sexy, and the husband replied that he was indeed very sexy. Then the wife looked jealous and began to question her husband, what clothes she was wearing today, the male protagonist wanted to change the topic... The wife asked to put her arms around her to sleep, this part was so...
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Shaylee 2022-10-23 20:54:39
Brooks' eyes are always in a dilemma. From the performance to the shots, the content and form are extremely restrained, and try to get rid of the subjective position of the preset position. The resonance of reality brought about by this is even more unexpected, and it can be called a good story passed down by neorealism in the United States. Poitier emerged brightly and dazzled, and 12 years later returned to the film as a...
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Abigale 2022-10-23 20:40:58
"Don't turn your back on them." Don't turn your back on them, and don't forget the curse and the blade behind your back. As bad as it could have been, it's almost a prison-inspired movie with a rock 'n' roll vibe. In a few inches, the provoked authority, the responsibility to guard, the manic, alienated students, and even the blood was splashed. Sidney Poitier is really a superstar,...
Blackboard Jungle Comments
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Bethany 2022-10-23 23:04:52
Chalkboard Jungle
The title of this film is particularly good. The blackboard is the main medium for transmitting knowledge in schools, symbolizing education. Education often represents "love and hope". ”, this film tells exactly such a story with intense conflict and opposition. I like this film very much....
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Demetrius 2022-10-23 23:24:10
Youth, Exploitation and Hollywood's 1955
It's the end of the road, boyCritic Gilbert Shields argued in 1950 about the value of teenage audiences to Hollywood: "The real moviegoers are made up of younger people . . . Children survive, they always automatically and habitually slip away to see the movies... Half of the people over the age of...
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Richard Dadier: Now, pretty soon, you're gonna be reading in the newspapers want ads for jobs, apartments, something to buy. Advertising space is expensive so abbreviations are used. Now, write out the complete words to all the abbreviations in these problem ads. All right, get started.
[Dadier notices Belazi coping anwsers from Morales paper]
Richard Dadier: Belazi. Let's keep your eyes on your paper.
Belazi: Me?
Richard Dadier: Cheating won't help you learn those abbreviations, you know.
Artie West: He won't look for no job. His old man owns a store.
Belazi: Yeah, and I'm not gonna buy me me no Cadillac either.
Artie West: No, It's cheaper to steal one. That's arithmetic for ya, teach.
Richard Dadier: All right, Belazi. Bring me your paper up here.
[Belazi gets up and hands over his paper to Dadier]
Belazi: Five points off. What for?
Richard Dadier: For having loose eyes.
Richard Dadier: [Dadier notices that West is cheating also] West!
Artie West: You talking to me, teach?
Richard Dadier: Bring your paper up here West.
Artie West: What for?
Richard Dadier: I said bring your paper up here.
Artie West: And I said , what for?
Gregory W. Miller: Come on, Artie. Bring him the paper.
Artie West: Now , look, you keep your rotten mouth out of this, black boy.
[Miller stands up ready to pounce on West]
Richard Dadier: Miller!... Hold it... All right. All right, Miller. It's all right. Now, bring your paper up here, West.
[West crumbles the paper and throws it on the floor]
Richard Dadier: All right, we're going down to see the principal.
Artie West: We are? You gonna make me, Daddy-O? How'd you like to go to hell?
Belazi: What's the matter, Daddy-O?
Artie West: Yeah, how about it, teach? You got a big mouth. Tell me to do this, do that. Are you big enough to take me to the principal's office? Beacause that's what you're gonna have to do. Take me. So, come on! Take me! Come on!
[Dadier approaches West and West pulls out a switchblade. This stops Dadier in his tracks and the rest of the class gets up and out of the way]
Artie West: Come on. For a bright boy, you didn't learn nothing. Well, take me down. Come on. Step right up and taste a little of this , Daddy-O.
Richard Dadier: Give me that knife, West.
Artie West: Where do you want it? You want it in the belly? Or how about in the face, huh? Here it is. All you gotta do is take it. Come on, take it! Come on!
Gregory W. Miller: Take it easy, chief. He's crazy, he's high, he's floating on Sneaky Pete wine.
Pete V. Morales: He's gonna kill him.
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Artie West: All you gotta do is take it. Come on take it.
[Belazi sneaks behind Dadier]
Richard Dadier: That's just what I'm gonna do, big shot.
[Belazi tries to attack Dadier from behind but Miller intercepts him]
Richard Dadier: [West strikes at Dadier and cuts him in the hand] Come on, West. Come on... come on... Where you going, boy? Come on.
Artie West: [West starts backing up from Dadier and calling for help from his gang, but none get involved] Belazi!... Morales!... Stoker!
Gregory W. Miller: [Miller challenges Stoker] You wanna gang fight? You wanna start a rumble? Come on, boy, just make a move.
Artie West: All right, you guys. Bascillo, Rock, move, both!
Richard Dadier: What's the matter, West? You need help? Come on. You're holding the handle of that knife. Come on, you're the leader. You're the tough guy. You can't cut alone, huh, West? You're not so tough without a gang, but you were tough that night in the alley, weren't you? Seven to two. That's about your odds, isn't it?
Artie West: This time you get cut up!
Richard Dadier: Yeah, the gang-up didn't work. You went to the principal withg as story about race prejudice. You couldn't get rid of me that way. Then you started sending those foul letters to my wife. Didn't you? Didn't you, West? End of the line boy!
