-
Shyanne 2023-03-30 03:10:41
Visconti;...
-
Tyrese 2023-03-20 21:38:20
This psychedelic dark atmosphere makes people addicted like a drug. Lancaster is a man of culture only in Visconti films. The contradictions, entanglements and despair of the generation after the ebb of the 1968 Revolution were just like Conrad's life. Yi Shu's Xi Bao is a crude borrowing and rewriting of the film. Although Yi Shu claims to like Visconti, he can't even learn anything. It's just too reasonable to be popular in the neoliberal...
-
Summer 2023-03-16 09:13:45
Wait for a better subtitle second...
-
Alisha 2023-03-12 08:07:55
The old professor is so heart-warming and graceful that he appreciates youth (and Berger) and modern mania (the phone rings with different BGM interweaving into a maddening background sound), and also thanks this familiar nightmare tenant for removing himself from the dead calm Wake up, I just want to be happy that I have lost my marriage and have no children to keep my peace. The end-stage bourgeoisie and the frustrated red students exposing each other's shortcomings just seem to be neither...
-
Clarissa 2023-02-20 17:55:14
20070421 1430 Arts Center
-
Hailey 2023-02-20 09:03:56
3.0. 100% indoor play, the beautiful pictures are worth watching. The only surreal scene in Visconti's work: the mother's veil flying and the wife crying. Prince Sarina is a professor, Conrad is Angelica. The relationship between the two, like a father and son, and a lover, is worth pondering, and it is silently speculated that the same is true of Visconti and Helmut. The identity reveal of the fostered darling - the self-destructing 68 youth is ok. Many simple oppositions (tradition and...
-
Chadrick 2023-02-18 07:43:11
We came alone, surrounded by the times, and lived helpless and...
-
Bartholome 2023-02-18 00:51:50
Lancaster, forever god. Watching on New Year's Eve is quite fitting, as if everyone quarreled and rolled their eyes after the New Year's Eve dinner. Everyone exposed all kinds of self-interested words, hurting each other and unable to heal the wounds. Visconti is really so gentle, so gentle enough to speak so tenderly to these lost nobles. Lancaster's acting is perfect in this film. However, the script is still too thin, even Visconti can only rely on his unique aristocratic style of...
-
Madyson 2023-01-29 05:45:57
07.09.2018 This French-funded film is classified as a museum film is still a bit trance, oil painting and soundtrack, plus a close-up shot of concentration and can't help, Conrad, there is nothing else but love, from heartbeat to heartbreak, the heart rate of the electrocardiogram is not for For a person in love with a lover, only a meaningless heart rate is left, and as an old man, what is the difference between that and death, I thought he was too young to understand me, but it turned out...
-
Violette 2023-01-17 21:44:07
At least 4 1/2 stars, an underrated movie, I couldn't take my eyes off it while watching it. The director revealed his inner secrets when using the metaphor of the house space and dealing with the professor's relationship with Conrad. The fascinating thing about art is that the creator can freely imbue his work with his own symbols, aesthetics, and rhetoric to bury his intentions at whatever level of meaning he wants to use. Visconti is clearly a master...
Conversation Piece Comments
-
Ayla 2022-06-13 17:33:57
Records and impressions
Helmut Berger plays a sick and decadent person really deep into the bone marrow, "Ludwig" "Feniz Garden", watching him feel sick, there will be a physiological reaction... The image of the old professor is very It is moving and presents something that almost everyone faces: the habits of life and...
-
Shyanne 2022-06-13 17:55:07
fast dying old world
In the old mansion, there lived an ancient and lonely eagle. The home was full of books and antiques. The walls were covered with classical oil paintings. The last nobleman, living in isolation and seclusion in a huge house, enjoys collecting famous paintings, retaining the demeanor of an...
-
Marchesa Bianca Brumonti: He was too young to have learned this final nasty fact: grief is as precarious as anything else.