-
Lloyd 2022-03-28 09:01:08
This is the work of the master Bergman 40 years ago. Love is not words, words are lies, love is touching and hugging, and those who are tormented by illness yearn for this kind of love even more. Although I don't understand what kind of social environment has created such a cold group of perverts (only the maid Annie is a normal person), I can understand the desire to get rid of loneliness, love each other and understand each...
-
Doris 2022-03-28 09:01:08
Only under the absolute pain and despair, will the once vaguely precious comfort and beauty be awakened. Anna is like a Virgin. Women's meticulous and elusive, to put it bluntly, are actually self-inflicted hypocrisy and twisting. The big red is so...
-
Harley 2022-03-28 09:01:08
White skirt, black mourning dress, red fade out. Adjective type characters. Peeping on the mother, "cares, dissatisfaction, desire, indifference, laziness, burnout, and too much sneer change your face.", pressing the crystal glass fragments into the legs, the sisters' heart-to-heart touching after pouring out their disgust, Bach violin music Covered in silence (forgotten on the second day), the plump maid left the dead's September autumn diary "The people I love are all by my...
-
Jaylen 2022-03-27 09:01:15
Bergman always portrays the small family in a grandiose manner. They are all people who are used to illness. Find a beautiful woman like Liv to play the role, control the color of the picture, slow down the rhythm of the movement, and use body language. A few tricks, what is there? Without any ideological revelation or emotional resonance, it was at best an upscale hormonal...
-
Davonte 2022-03-27 09:01:15
The real face movie almost completely uses a close-up of the face except for a few clips. Unlike Dreyer's Joan of Arc Bergman's face is full of emotions and even writes everything on the face, just like the doctor's physiognomy interpretation of Maria in front of the mirror The whole film is this kind of emotional narrative that is completely immersed in the faces of the characters. Perhaps what the shout corresponds to is not a whisper (and cannot be heard), but a full red, a red that...
-
Demarco 2022-03-27 09:01:15
Everywhere is red representing irritability and desire, and each female-centered drama is accompanied by the opening and closing of scarlet. The clock represents time and expedites the demise of life. No matter what, we've all spent a full and happy afternoon with the people we love, and that's...
-
Jean 2022-03-27 09:01:15
After reading the first half, I think the structure is very strange What kind of stuff do women study so thoroughly... I want to play games and make up for big river...
-
Reese 2022-03-27 09:01:15
"I want to keep this moment, I think, no matter what happens, this is happiness, and there will be nothing better than this." The indifference and alienation stretched into fine lines on the face, solidified into a tired sneer, and then Extend into the human soul. Obviously, the interior scenery is beautiful like a dream, but it is so cold that people take a breath of air. The best times are always under the clear, still skies of...
-
Rodolfo 2022-03-27 09:01:15
The inner landscape of the possessed, the abandoned communication, the failure of God, the life of the grave, the decline of a class. The red of the curtains, the carpet, the sheets, the red of the flesh, and the red, scarlet when each picture fades out. Cries of despair, whispers that only death can hear....
-
Danielle 2022-03-27 09:01:15
Every shot is a breath of...
Cries & Whispers Comments
-
Caterina 2022-03-21 09:02:48
soul-stirring
Recently, I have browsed a number of Bergman's films, and when I browsed other people's short reviews, I found that their evaluations are almost always described as "striking the heart". This is not only related to the actors' superb acting skills, connotative lines, and stage play scheduling....
-
Stevie 2022-01-11 08:02:34
The Opening Change of "Screams and Whispers" and on Bergman
Although "Shouting and Whispers" is not my favorite of Bergman's movies, it is at least the one that impressed me the most and also the most characteristic. When I first saw the film, it goes without saying that everyone thought that the use of tones was a feature of the film. Whether it is a red...
-
Karin: Nothing but a web of lies. Every bit of it. A web of lies.
-
Anna: Can't you hear that? Someone's crying. Can't you hear it? Someone's crying and crying.
Director: Ingmar Bergman
Language: Swedish,German,Danish Release date: March 5, 1973