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Raul 2022-05-05 06:01:02
My dearest STEVE·VAI...
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Alphonso 2022-05-05 06:01:02
The juvenile theme of Hill's movies is obviously not as powerful as the adult movies. The freshness decreases and the sense of vulgarity increases. "Blues is nothing else, but only a good man feeling down and thinking of a woman who once spent time with him... I lied to you. There is no song thirty. Everything depends on you."... The latter and Kung Fu Panda’s wordless cheats are in the same line; the former is a little cryptic: Can the audience really hear the boy’s performance level after...
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Fidel 2022-05-05 06:01:02
This ending is obviously a victory for...
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Orland 2022-05-05 06:01:02
So what is the situation? The academic protagonist wants to learn the lost blues and turns to the old man for help. The old man feels that he has no blues soul, so he takes him on the path of tracing the origin of blues, experiencing poverty, crime and dew love all the way. In the end, the protagonist was defeated with a Caprice No. 5 which had nothing to do with the blues (actually he played the protagonist’s songs, only one year older than the protagonist but looked like he could be his...
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Ross 2022-05-05 06:01:02
A journey of a song by a girl, John Fusco pays tribute to his career as a blues musician. A good small production American independent film, with many themes mixed. The language of the shots in the last scene is good: distant view-close range-another person to play-distant view-close range. Even after Mozart betrayed Bruce, he still had to win the game with Paganini. Steve Vai appeared on the...
Crossroads Comments
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Rico 2022-05-05 06:01:02
The Bluesman
What I like is Bruce's deep melancholy and long aftertaste of self-harm.
It’s been a few years since I watched this movie. When I was still in college, I sat at my desk alone and watched it on the computer. I don’t know why, but there were a few tears hanging in my eyes. I liked the gray hair. The... -
Eryn 2022-05-05 06:01:02
Cross Street｜The Devil's Prejudice
The best blues music movie. A movie full of collisions. In the beginning, Robert Johnson and Willie Brown traded with the devil on the cross street, betraying their souls to gain opportunities and talents. The film can be interpreted from the opposite poles, one pole is racism: black music needs to...
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Willie Brown: Where I come from, you don't blow no harp, you don't get no pussy.
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Willie Brown: The blues ain't nothin' but a good man feelin' bad, thinkin' 'bout the woman he once was with.
