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Martin 2022-04-24 07:01:23
Catch up on the good times, that kind of desolation spreads,...
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Martina 2022-04-23 07:04:15
Emotional Repair and...
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Lukas 2022-04-23 07:04:15
Son and daughter are a good...
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Albina 2022-04-23 07:04:15
Mr. Xu's third feature film is said to be a small film by Wenders, but there are many excellent points in details, light and shadow, modeling, and lens usage. Using a process of finding relatives to express the theme of finding oneself is also an echo carrier. It's very well done, the story is boring at first glance, and the direction is completely unexpected. When the two children's lines came out, they were shocked, but in the end they could go back together. The details are also the reason...
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Ladarius 2022-04-23 07:04:15
2005. Wim Wenders is far more than a comeback story.
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Precious 2022-04-23 07:04:15
new version of Paris...
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Abby 2022-04-23 07:04:15
05Cannes Competition...
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Lola 2022-04-23 07:04:15
Good-looking, only good-looking is left~ Western Merry, confusion and penetration, emotional slow down, take away with a set of...
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Imelda 2022-04-23 07:04:15
It feels like Wenders' road movie is gradually getting old. It reminds me of another work by Jim Jarmusch, "Broken...
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Johan 2022-04-23 07:04:15
Good theatrical...
Don't Come Knocking Comments
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Samson 2022-01-22 08:03:04
Top work
The teacher talked about "Don't Knock on the Door" last class, I didn't come to listen, and I missed it. I've seen this film before, but I am not very impressed. So I watched it again.
This kind of unfancy film is like "The Wind Blows the Rice Waves". No one clicks, it is easy to feel that the film... -
Donna 2022-01-22 08:03:04
Visually-and only visually- stunning
Three cliches dominate the plot of the movie. One, the runaway. By this time in Wenders's career we are used to his fascination with clean breaks from a former existence by his heroes or heroines ("The Angst of the Goal-Keeper", " Paris Texas", "Bagdad Cafe", and yes, even "Wings of Desire", where...
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Earl: [singing] Where is Howard? Who is Howard? We wanna know, we wanna know. Where is Howard? Who is Howard? Where did he go, where did he go? He's down in the ditches. He's down in the ground. Disappeared himself. He's no-where to be found! Where is Howard? Who is Howard? He's long gone, he's long gone.
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Howard Spence: Mind if I turn the radio on?
Sutter: Yes, I do, as a matter of fact. I don't like outside influence.
Howard Spence: Outside?
Sutter: That's right. The world at large. It's a nasty place. Why allow it in? Livestalk reports, Navajo chanting, beheadings, bestiality. Nothing's changed. Black Death, the Inquisition, the Crusades, conquest of Mexico. What's changed?
Howard Spence: I was thinking...
Sutter: What?
Howard Spence: I don't know.
Sutter: Nothing's changed.
Howard Spence: Guess not.
