Frenzy Comments

  • Evangeline 2022-01-07 15:52:55

    Xi Pang's works in his later years have a general sense of suspense, and his personal style is not very strong. The language of the lens is still very powerful, all kinds of empty mirrors, pushing and retracting slow mirrors, and long mirrors flash back, all in one go. It can be called a walking lens dismantling textbook. In fact, I personally think that the witty dinner table conversation between the inspector and his wife is much better than the story itself. The male protagonist is really...

  • Elda 2022-01-07 15:52:55

    I thought about multiple endings, but Lao Xi handled it wonderfully. Everything is logical. However, the frequency of perverted crimes should not be so high, especially after finding a scapegoat, you should take a break anyway. This is...

  • Jade 2022-01-07 15:52:55

    Low-key dazzling skills, black humor, violent aesthetics, the late he is fat, but it is still exciting; the male protagonist is not likable, and his character makes his destiny. The ending can be opened to another result, and it will become a horror movie....

  • Edwin 2022-01-07 15:52:55

    The posthumous work is last. Without the Hayes Codex, Xi Pang finally released himself. In addition to the fast montage that they are already good at, after the murderer and the victim enter the room, the camera retreats to elicit a strong horror atmosphere. Everyone knows what will happen in the room, but Xi Pang deliberately left blank and did not show it. The audience was aware of the night. To his identity as a peeper. However, I have used this routine too many times, and to a certain...

  • Reginald 2022-01-07 15:52:55

    The criminal technique of this work can also be summed up by Xi Pang’s other film name, which is the second to last film in his later years. It’s really great to be able to hand over such an answer sheet. As a mature genre film director, dozens of works have almost exhausted the various narrative methods and horror expression methods of crime suspense works. However, the film is still pursuing innovation, such as the two that most fans talk about. A long shot of killing people, one time through...

  • Orin 2022-01-07 15:52:55

    What's more terrifying than the murderer in this film is the cooking skills of the detective...

  • Flo 2022-01-07 15:52:55

    Accompanied by two long shots of two murders, "Waiting", one silent and one moving, the first one is fixed, like an anxious crowd watching the audience, and the second one retreats, like the audience's desperate retreat, and there are also adorable detective couples' homes. For dinner, the murderer’s "fight" potatoes, the sound-proof door of the court, the absconding of the hospital... I was filled with Xi Pang’s face and said proudly: You see, it’s that simple to molest the audience, learn a...

  • Jarvis 2022-01-07 15:52:55

    1. The lens processing of the two murders presents a contrast, direct fierce and subtle warmth; 2. The line of the sheriff and his wife is also exquisite accessories; 3. A section of the potato cart is a bit nervous; 4. Hitchcock is...

Extended Reading
  • Glen 2022-01-07 15:52:55

    Noble people are not necessarily nobles, and criminals are not necessarily murderers.

    I think the most exciting part of the whole movie is that when Bob found out that his "R" brooch was missing, he rummaged in a cold sweat and frantically, and then recalled that Bathe was caught in his hands the moment before he was strangled and went to throw the body. The potato transporter...

  • Jerel 2022-03-23 09:02:34

    everything points here

    This should be Hitchcock's last few films, a brief comment on the past Hitchcock experiments and style changes it presents.
    Hitchcock's early films can be culminated in Vertigo. Use the entire movie to leave a huge suspense and finally unravel it with a casual detail to form a complete loopback...

Frenzy quotes

  • Solicitor in Pub: We were just talking about the tie murderer, Maisie. You'd better watch out.

    Maisie - Barmaid: [salaciously] He *rapes* them first, doesn't he?

    Solicitor in Pub: Yes, I believe he does.

    Doctor in Pub: Well, I suppose it's nice to know that every cloud has a silver lining.

    Maisie - Barmaid: Oh!

    [smiles, walks away]

  • [discussing the tie murders]

    Solicitor in Pub: Let's hope he slips up soon.

    Doctor in Pub: In one way I rather hope he doesn't. We haven't had a good juicy series of sex murders since Christie. And they're so good for the tourist trade. Foreigners somehow expect the squares of London to be fog-wreathed, full of hansom cabs and *littered* with ripped whores, don't you think?

Frenzy

Director: Alfred Hitchcock

Language: English Release date: June 21, 1972

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