High and Low Comments

Oma 2022-03-18 09:01:05

Textbookになって映したすぐに讲义を受けてた. マルチカム方法やパンフォーカスなど技术的な分析を素晴らしくてオーバーにして大したことに语った. もしかしてKuzawa’s works from the second half of the sixties since the beginning of the 60s...

Kendall 2022-03-18 09:01:05

I haven’t watched a movie directed by Akira Kurosawa for several years, so I felt his power of scene management again in "Heaven and Hell". The first 50 minutes of mirroring, actor performance and character movement, etc., I often think of "Ten "Two Angry Men", the police gathered together to report on the investigation of the case, etc. It was a detailed analysis and showed the ins and outs of the incident. The slightest dissatisfaction is that some of the plot clues are too coincidental. The...

Lila 2022-03-17 09:01:05

1. The humanity of the black emperor is still the humanity of the middle class, and his heart is divided. 2. Although Nakadai has been in front of the camera for a long time, there is no conflict and tension in the character itself. I really want to see if he is that nihilistic youth (the appearance is very neutral), how the two duel series will be this time. 3. Why can't the death of drug addicts get the same team and report team of dozens of people? Caused by the indirect intention of the...

Jalyn 2022-03-17 09:01:05

[October, 2019 Kurosawa Akira √] Ah, the emperor Kurosawa's audiovisual is really amazing. The film's expressiveness in spatial modeling can be regarded as the pinnacle of work. The most exciting is the train scene and the large tracking scene in Yokohama. The "Heaven" part or the first act, although it has a strong sense of stage drama, it was done in one go, testing humanity, and it was very wonderfully written. The criminal investigation part is reasonable, the details are accurate, and it...

Eugenia 2022-03-16 09:01:05

4.5. The mystery of "Who is the murderer" was finally revealed after about 53 minutes. At that time, we walked out of the vast confined modernist villa with the camera and appeared after the bound children returned safely. Reunion in the form of ending. But at this time, it was only half of "Heaven and Hell." When the film shifted from Quanto's internal audiovisual focus to the omniscience perspective, to some extent, the previous mystery was maintained in the form of motivation-who is the...

Mariano 2022-03-16 09:01:05

Simply perfect, the aesthetics, the structure of the play, the form of expression, and the humanistic care all knelt for Kurosawa Akira. The wide-screen frame, combined with the group image station composition presented by the accurate scheduling of the dynamic balance of the first half of the room, is picturesque. The first shot of the title in the opening is the two-part composition, with the top light and the bottom dark, pointing directly to the theme. From the "heaven", which is almost a...

Virginia 2022-03-15 09:01:05

4.5 The only problem is that the coincidence at the beginning is too coincidental... One interesting thing is that Kurosawa's movie has a strong sense of style. It can even be said that the reason why he makes the lens and the characters move is to reach the "end point" of the modeling. This characteristic is especially obvious in the later period, when it comes to Luan Hemeng, it is basically painting. So what seems to be moving tends to be still. Ozu is just the opposite. Although it gives...

Ludie 2022-03-15 09:01:05

A good movie is not afraid to watch it late. It’s really enjoyable that it goes from a one-hour indoor scene with a full of tension and eye-catching composition to a united and coordinated transaction detection and solving the case in one go. Mifune Toshiro and Nakadai Tatsuya Kazuhiro (the hesitation of the temperamental person), Yiyin (fishing law enforcement increases punishment), and the super young and promising Yamazaki Nuo. The pain of rapid economic development, wealth from heaven to...

Linwood 2022-03-14 14:12:24

#资料馆留影##黑泽明评论展# The investigation part is not detailed and lengthy, but the content is deep. The crimes caused by the gap between the rich and the poor are not stereotyped or unkind or wicked. There is indeed a transcendent compassion in Ze Huang's filming of social reasoning films. Surprisingly, when Yamazaki was young, he was not only fresh, but also his acting skills burst, just like Norman Bates in "Mentally Ill". No wonder Ze Huang likes him so much. It's even rarer to see Toshiro Mifune's...

Mackenzie 2022-01-09 08:01:17

Motivation can only be considered as social consummation if it is explained by political conflict elements. It is actually a very simple case, but the plot is fluctuating, and the fugue of the characters also makes people have the urge to continue to pay attention to the progress of the story. A kidnapping case reflects the coldness and warmth of human feelings, and the last thing that comes is retribution and redemption. Kurosawa's mirroring is so accurate that he is horribly accurate, and the...