-
Cecile 2022-06-12 17:41:09
Inferior to the other two of the trilogy, they can only be regarded as average in Fellini's film sequences. I think they can be regarded as relatively conventional realist works. The portrayal of the characters is in place, and the differences between the predecessors and the posters highlight the sense of...
Il Bidone Comments
-
Jeromy 2022-11-09 15:49:25
The actual absconder can only be deceived
The image of a "liar" set by Fellini has a double paradoxical consciousness of existence.
August and Picasso were both restrained by family ethics. Picasso chose to return to a normal life because of his wife, but Auguste went into a deeper deception because of his daughter, which ultimately... -
Marie 2022-11-06 06:38:57
Self-reflection under existentialism
The film "Liar" and "Broad Road" have many things in common: the director rarely uses abrupt film effects when telling this philosophical story, and the main method of the film is also symbolic; at the same time, the plot is based on the "Broad Road". The "journey" model has a looser structure and...
-
Augusto: [Contemptuously] You give your wife every cent! Jerk!
Picasso: [Trying to get approval] But, Augusto, I...
Augusto: [Lecturing] People like us can't have families. One must be free to move. You can't have a wife. You must be alone. The most important thing when you're young is freedom. It's more important thn the air you breathe. You're scared now! What will you do when you're my age?
-
Rinaldo: [Mockimgly] Do you still carry a skull with you?
Augusto: [to Picasso in the back seat] If this guy shakes your hand, count your fingers. You'll be missing a few. He'd cheat his own mother.
Rinaldo: Look who's talking!
