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Tate 2023-03-28 08:59:41
From the opening long shot, the loneliness of the protagonist has been revealed, and then the night scene, the bird symbolizing depression, the lonely country road, the piano girl opposite the male protagonist, etc., are constantly rendered. The director used an extremely cold and minimalist approach to film a history of loneliness, but the whole story is fateful, and even the existence is ultimately at the feet of...
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Matilde 2023-03-24 04:37:29
A film from 1967 is now scattered around the corners of many of the master's cinematic...
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Sylvia 2023-03-21 14:24:57
Today, I don't quite understand why I have to throw myself into the net, maybe it was of special significance at that time. Seems to understand why the old lady is still watching the show until she is old: everything in the movie is for Alain Delon to be...
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Yasmeen 2023-03-19 10:34:47
I was really shocked by the opening scene. The elegance and classicism born from it must be the director's self-consciousness, and this self-consciousness does not reveal Delong's whole face, which wears away his handsomeness. As for the dialogue and tone, it goes without saying that one of the unknowns is most commendable: a gun that doesn't know when it will be drawn, and dialogue that pops up at an unknown time. And the wrapped coat, which is not suitable for violence, turned the killer into...
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Wilfred 2023-03-18 20:00:04
The scheduling and shots in the 1960s are shockingly good. There are not many lines, the aftertaste is long, and fate does not need too many words. A great director is that in any era, you can see the skills and emotions he buried. Actors like Alain Delon, both internal and external, supplemented by directors like Jean Pierre, have made things that are really good enough to make people jealous of the passage of more than 50 years, but at the same time lamenting the essence of the film,...
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Linnea 2023-03-14 04:48:43
2009-3-8 15:53:43 7/8.1(8338) Natural Cool
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Bernardo 2023-03-11 08:09:49
Compared with the red circle, this film is less strong and more tender. The style of the whole film is calm and concise. Both the shots and the plot have been left blank. It can be said that Melville is the In my impression, there are few directors who can almost abandon the lines and really tell the story in film language and tell the story well. Of course, the abandonment of the lines is also a reflection of his inner heroic masculinity. PS The bird calls are too...
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Damon 2023-03-04 06:04:08
It's a bit too pretentious, and handsome Alan's expression is too stiff. The overall narrative is smooth, but the plot sucks. I'm not against fashion, but I didn't expect it to be a fashion show. The title should probably be "This Killer Is Kind of Stupid," or "Love You Hard at a...
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Aletha 2023-01-19 04:01:01
Violent aesthetics is a true master of literary and artistic killers. It is worthy of being a...
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Kayleigh 2023-01-03 12:39:59
Alain Delon is so handsome. Even if he travels back to the present era, he will still be fascinated~~The French uncles are so classy~~Leading the fashion industry for hundreds of years~! If you have the opportunity, you must go to...
Le Samouraï Comments
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Dawn 2022-03-23 09:02:10
Craftsmanship
When young Alain Delon was silent, there was a kind of erratic beauty. Beautiful but not aware of it, so it is more pure. Wearing a trench coat with a stand-up collar and a top hat is a bleak Jingke-style character, and no matter how bad it is, he is a killer written by Gu Long, thin and powerful....
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Zackary 2022-03-21 09:02:11
look at you now
Melwell had asked Delon to play a role in his film in 1963, but Delon was a smash hit in the United States at that time and got a better deal, so Delong turned him down on the grounds that he didn't have time.
When Delon came back from America, Melville showed him the script for The Lone Killer. He...
Top cast
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Jeff Costello: Who sent you?
Gunman: I can't tell you that.
Jeff Costello: Yet you could try to kill me. Look at me. I'll ask you just once more. Who? Name and address.
Gunman: You don't know him; he's not in our league.
Jeff Costello: Don't keep me waiting.
Gunman: Olivier Rey... 73, Boulevard de Montmorency.
Jeff Costello: That's how you became unemployed.
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Jeff Costello: Trouble?... Because of me?
Jane Lagrange: No, you've never meant trouble for me.