-
Arne 2022-03-21 09:01:55
Father and son are of one mind, and their profits are broken. The shooting technique is beautiful, the soundtrack can especially render the atmosphere, and the heroine with super high value is also a bonus...
-
Andy 2022-03-21 09:01:55
The national flag in the binoculars, the door in the palm of the Statue of Liberty, is like an American nostalgia. The color of light and shadow is simply the pinnacle of the pinnacle, and Lalalan is flamboyant and even too restless in comparison. The soundtrack comes next. The script is rather mediocre, with some lines combined with light and shadow eating and a bit of a sunglasses king. Curious about Wenders' creative motivation as a German director. And is interstellar crossing a tribute to...
-
Emelie 2022-03-21 09:01:55
Depressed than a dream, more delicate than...
-
Madonna 2022-03-21 09:01:55
#Film Archive# Wenders found his place in road films. Psychological scene design: The arrangement of some scenes is based on psychological changes. The truth of art is the truth of thought! (Double shot of two figures stacked on the glass) 31:39, the timing of the music. At 36:30, the camera rises, the reflector. 37:53, leaving room for the lens to the left and right. 1:36:36, it's still a little early to turn around. 01:39:53, a mirror that one can see and one cannot see. 01:44:19, the man's...
-
Taya 2021-12-11 08:01:17
Who said that you can’t help but become a pessimist if you love to the...
-
Demond 2021-12-11 08:01:17
The truth of love is the naked meeting of two souls, loneliness and coldness, bone ecstasy, bone frustration and...
-
Erling 2021-12-11 08:01:17
Although the family of three never appeared in the same scene, from the time they went to find the son’s mother to discover the mother’s whereabouts, the three wore red shirts together. At the end of the mother and child reunion, the mother’s green shirt was the same as the green lights of the background building and the father. Standing alone under the green street lamp implies that this family of three always live in the same...
-
Asha 2021-12-11 08:01:17
I haven't watched it all the time, thinking it's an obscure literary film, but I didn't expect it to be so pure and sad! Those earth-shattering past events will eventually become just a few words... loneliness is a brand, it is the mark of some people's...
-
Raul 2021-12-11 08:01:17
For the 30th anniversary of the film, there was a theater release, so I took the opportunity to watch it. The first half is really a work of genius, and it has become a bad movie from the time the protagonist takes his son to find his wife. The language of the film is impeccable, and the story is unsatisfactory. It's another inappropriate film with too few three points, too few five points, too many four points. ....
-
Alisa 2021-12-11 08:01:17
Love is like a house on fire and must escape. Two individuals are destined to attract and restrain each other, and only loneliness is the safest. Everything is just mean to be. To be honest, I am even more touched by the first three quarters of the film. I have been pressing and telling it in a closed manner. The premonition and suspense of a good story permeates every picture, every detail, and every sparse guitar sound throughout the story. Emotions are brewing too full. At the end of the...
Paris, Texas Comments
-
Marcelle 2021-12-11 08:01:17
"Paris, Texas" in "Director's Talk"
This film made a sensation in the international film scene in 1984, won the Grand Prix at the Cannes Film Festival that year, and was highly praised by European critics. French "Morning News" praised it as "the most moving film in the past 10 years." The Federal German "Frankfurt Report"...
-
Julia 2021-12-11 08:01:17
Maybe this is a good movie
What is this man thinking? Begin to love, doubt love, and then prove love. Cuteness may be an unproven feeling. Some people started to wait, some people started to flee. It’s not that we don’t know how to cherish and we know to cherish, but in fact: in the complex emotions of love, we cannot,...
-
Travis Henderson: Why didn't you take him with you Jane?
Jane Henderson: I couldn't, Travis. I didn't have what I knew he needed. I didn't want to use him to fill up my emptiness.
-
Travis Henderson: My mother - was not a fancy woman. She was - she never wanted to be a fancy woman. She never even pretended to be a fancy woman.
Hunter Henderson: Then what was she?
Travis Henderson: She was just - plain. Just plain and good. She was very good. But, my Daddy, see, my Daddy had, eh, he had this idea, he had this idea in his head that was kind of - kind of - kind of a sickness.
Hunter Henderson: What idea?
Travis Henderson: He had this idea about her and he looked at her, but, he didn't see her. He - he saw this idea - and he told people that she was from Paris. It was a big joke. He started tellin' everybody all the time and finally it wasn't a joke any more. He - he started believing it.