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Jaunita 2022-03-25 09:01:21
#YouTubeMovieMonth# Heartbreaking silence and madness are always reserved for those who love the most. Hotels, game halls, and ice palaces, they thought they were being followed by envy and bewilderment. He swallowed papaya milk indifferently, but the towel could not block the tear ducts of the water pipe, Ximending was brightly lit, and there was no friend on the phone. Close the door, open the door. Long live love. (Last year, I watched "Home in Lanruo Temple" directed by Tsai Ming-liang at...
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Sandrine 2022-03-25 09:01:21
The Hangzhou Sparrow screening was reported within 20 minutes, and the report might even come from peers. Sad and angry,...
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Virginia 2022-03-25 09:01:21
Why do I think Cai Mingliang is not slow or boring at...
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Ashleigh 2022-03-25 09:01:21
The rootless images of youth, Tsai Ming-liang's perspective on the expression of Taiwanese youth is more internalized and ambiguous. Young people escape from their families and deviate from society. They are like wastes floating on the overflowing sewage, with nowhere to turn to. The friction of the body cannot make up the gap between the souls. They are fragile, sensitive and full of aggression, like the urban jungle. The flying bird could not find the sky, fell into the street, and struggled...
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Eliezer 2022-03-25 09:01:21
Youth is like the water in the bedroom floor, which cannot be dredged; youth is like piercing someone else's motorcycle, joyful and joyful. They wore the same blue denim shirt, the same light blue jeans, and the same sadness and hesitation written on their faces. Cai Mingliang is really a director with a strong sense of atmosphere. He can make the boring film so empathetic, which greatly makes up for the emptiness in the...
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Corene 2022-03-24 09:03:36
The smelly Cai Mingliang can smell dampness, sweat, cigarettes, body fluids through the screen... Can smell doubts, confusion, depression,...
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Stanford 2022-03-24 09:03:36
For the first time, I encountered a situation where the content of the film that was not filmed appeared in the introduction of the film. It's really hard to see how Akang found out that his own sexual orientation is different from ordinary people. Looking back, I feel that there is only one possible scene in the film. No action was taken before the call. The beginning of the movie is very catchy. The opening scenes of A Kang using a compass to tie the cockroaches in the house, and A Ze and his...
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Junior 2022-03-24 09:03:36
#Berlinale Panorama 40 Still the same feeling: Tsai Mingliang's films are suitable for the big screen. I don't know where to go is the youth of most...
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Ariel 2022-03-24 09:03:36
The first Cai Mingliang did not have the rumored sleep aid. In fact, it dragged out a slippery trail in those elongated, trivial shots that didn't seem to be closely related to the theme. , I saw more things in the traces, more sticky, hotter, more depressed, and more Taiwanese. If the YA movies in the United States are chasing, dancing, and cheerleading, how can Taiwan's movies not be cram school games, and a pool of water that looks like it's about to stink? In fact, when I look at it, I feel...
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Frieda 2022-03-24 09:03:36
#A# quite like it. The closed two-line parallel at the beginning and the end seems to imply the intersection of the past and the future. !) It exacerbates the sense of interpersonal alienation and depicts a state of existence-similarly, Neon God creates a false identity and an illusion for teenagers; behind this, there is still a huge loss and nothingness. From the individual, the "contrast" and the society, is not only the state, but also the deconstruction of the...
Rebels of the Neon God Comments
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Lee 2022-03-01 08:01:03
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An emotional void, where the trivialities of daily life are collaged in a sticky and humid environment, and every marginal, lonely and lost individual wanders in the temptation of desire: sinking or disillusionment - "In contemporary In society and in contemporary culture, i.e. in post-industrial...
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Winona 2022-03-14 14:12:30
Taiwan Film Masters Exhibition Watching Notes: Water Trilogy
Teenage Nezha & Long Live Love & River
Watching the water trilogy at the cinema in Jiujo, from day to night, the rain outside the cinema stopped and stopped. The joyful scenes under the fixed long shots are stripped of passion, only desire ebbs and flows slowly, and that damp intimacy surrounds the...
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Ah Kuei: Ah Tze, let's leave this place!
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[first lines]
Mother: What on earth happened? You are all bloody. What happened?
Director: Ming-liang Tsai
Language: Mandarin,Min Nan Release date: August 4, 1994