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Alisha 2022-06-13 17:28:02
Italian neorealism itself has melodramatic tendencies in the structure of the play, but the biggest difference between it and the rising melodrama of Hollywood plays is that the events inserted in the play do not necessarily increase the drama. It is not necessarily an interlocking causal relationship, so this kind of play will also have a tendency to be difficult to define the protagonist, but it is undoubtedly correct that the film chooses to end the film with the universal character of the...
Rome, Open City Comments
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Anthony 2022-10-08 18:32:06
War brought people...
"War to bring people ......"
- Rossellini's War Trilogy (Rome, Open City, the war, Germany 2010) Feedback
towel city / text
Rossellini filmed before and after World War II, the three immortal movie of. From "Rome" exposing the sins of fascism and showing the brilliance of human nature, to the six... -
Gabrielle 2022-10-09 09:19:16
The moment when the camera "breaks out of the wall" again/Grace Painting and National Resistance <Dai Jinhua>
1. The film serves as a moment in film history that kicked off one of the most important film-historical phenomena of the second half of the 20th century—the New Wave movement. It once again announces to the whole world the important position that cinema occupies in modern life - film is an...
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Marina Mari: I know what poverty is and it scares me. Sure, I could have married a streetcar driver and be starving to death today - me, my children and him.
Giorgio Manfredi aka Luigi Ferraris: Poor Marina. You think happiness means a fancy apartment, nice clothes, a maid, and rich lovers?
Marina Mari: If you'd really loved me, you'd have changed me. But you're just like all the others - no, worse. At least they don't preach to me.
Giorgio Manfredi aka Luigi Ferraris: You're right. Forgive me.
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Giorgio Manfredi aka Luigi Ferraris: Don't be afraid that time will run out. It'll be a long fight. Our battle's barely begun.
Director: Roberto Rossellini
Language: Italian,German,Latin Release date: October 8, 1945



