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Zackary 2022-03-20 09:02:28
A formal film that lacks a sense of formality. There is no "picture", incomplete first-person perspective, lack of unity of historical and artistic choices and processing; there is a sense of beauty: but hidden in the context of events after the image-"I choose to stay here." "Goodbye , Europa. "Unfortunately, I don't know much about history, and it's hard to understand the director's private memory....
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Tyrel 2022-03-20 09:02:28
7.7 Although the camera plays the main role in the film, it can be found that the lens is constantly switching between the POV and the traditional camera position. The drama brought by the traditional camera position is constantly being broken by the sense of presence brought by the POV lens. Although this is a film that is one-shot, the visual experience it brings is fragmented, which affects the narrative and damages the viewing...
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Violet 2022-03-19 09:01:07
The whole film is a long shot, which is really amazing. I don't know how to do it. The last scene is really a bunker. I also have a museum plot. Recalling the history of Russian art like poetry. The cameraman has worked hard. ....
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Kaylee 2022-03-19 09:01:07
The longest shot in history seems to be a...
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Jerald 2022-03-19 09:01:07
What does Yijing want to say? Show off skills will inevitably weaken the...
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Stephany 2022-03-19 09:01:07
Although Sokolov said that it was not to create a record but to “not argue with time,” a mirror itself is an extremely outstanding way. It is a love letter written to the Tsarist era using digital technology, and it is a memory and memory of the history of a grand country. Embrace. Probably only the ghostly first-person perspective can conceal the visual bloat and lens jitter caused by no editing. Film history must have such a movie, and one is enough. Rehearsal for 6 months, 100 minutes hard...
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Kareem 2022-03-19 09:01:07
I really admire such a long movie completed by a single shot without any editing. Although the interspersion of the story era is somewhat reluctant, its success is great and it is enough to be "recommended." In other words, a life without watching "Russian Ark" is incomplete...
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Martine 2022-03-18 09:01:05
Why can someone see the old man and someone can't see it? What did he mean by smelling formalin? What did the strange people he met, such as the one blowing air, do? ...And so on, so I didn't understand it too much. I always firmly believe that the most important thing about movies is to be smooth and good-looking, and I don't like this kind of self-HIGH type. Asked what Xiao Z wanted to say in this movie, he said in one sentence: "That is to say, we were very good in Russia...
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Kaelyn 2022-03-18 09:01:05
Perhaps the most technically difficult film in film history. "Movie...
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Christy 2022-03-17 09:01:06
The director strives to create a sense of time and space and aesthetics. The Ark, yes, the real Russian culture is on Noah's...
Russian Ark Comments
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Jettie 2022-03-24 09:03:06
"Russian Ark"
"Russian Ark"
I was attracted by this sentence and came to watch it.
"Aleksandr Sokonov's 2002 work "Russian Ark" can be called a very extreme experimental film. The whole film is 90 minutes and only has one shot. "
One shot really makes people daydream. After watching it, it should be almost the... -
Lionel 2022-01-12 08:02:19
Goodbye europa era
Long shots of overlapping histories in the same space at different times have become a spectacle of form, expressing time in space, expressing space in time, about the setting of the film itself and time. People in recent times can talk to the old French man. The protagonist after the camera in...
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Orbeli: Is something still troubling you? Is it the authorities? They want acorns without oak trees. They are not interested in knowing how to nurture the tree of culture, but it will be their doom if the tree falls. Then there will be nothing left. Can't they understand that?
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The Time Traveller: Sir. Sir. A pity you're not here with me. You would understand everything. Look. The sea is all around. And we are destined to sail forever, to live forever.