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Kirstin 2023-09-27 13:25:07
It's so fucking disgusting that Ozu is smiling all the time in all the characters he's...
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Terrill 2023-09-17 15:03:38
Uncle Anjiro Nakamura is more likeable than in the floating...
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Icie 2023-09-16 11:06:16
The character building and picture composition have become the classics of the film, and the storytelling has been deliberately weakened, so that the true meaning of life can be tasted more...
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Laurianne 2023-09-12 13:10:44
hilarious...but half of the lines are...
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Buster 2023-09-08 22:24:59
There are dead people, but no...
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Dannie 2023-08-23 08:03:41
The camera is not as high as HHH.... compassion for the heavens and the people is the same.... the heaven and the earth are not benevolent, and all things are regarded as...
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Helga 2023-08-08 19:37:36
...
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Floy 2023-08-04 09:44:44
Get half a day to watch Ozu...
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Evangeline 2023-08-03 20:06:55
The Autumn of the Kobayakawa Family The End of...
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Joyce 2023-07-31 02:14:25
4.3 The relationship between the characters is messy, but the inside is very clear and bright. When watching, I always feel humorous and happy, and I only understand morality after the last frame - Ozu is facing a helpless and unreachable view of life and death. So that he shoots people, laughter is eternal, always happy, like life is impermanent, water waves flow. How can you say that you love life, you just, I will leave like...
The End of Summer Comments
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Jana 2022-08-28 21:36:19
The Sofang Sisters & The Autumn of the Kobayakawa Family
Why do you like Yasujiro Ozu? This is simply a question that cannot be explained clearly.
Sister Sofang 1950, Kinyo Tanaka, Tomojo
Kobayakawa Family Autumn 1961, Setsuko Hara, Haruko Sugimura, Tomojo
Ozu The two works of Yasujiro Ozu are somewhat similar , they all focus on the theme of sisterhood.... -
Thurman 2022-08-28 21:36:35
Yasujiro Ozu on "Autumn in the Kobayakawa Family"
From "The Philosophy of the Tofu Maker":
Noda Kee: In Polygonum's diary, Ozu-kun wrote: "In the thirty-sixth year of the Showa era, from Shanghuan to Polygonum in February, I lived in hibernation and conceived the script of "Autumn in the Kobayakawa Family". Usually, there are few visitors, and they...
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Akiko: Then what?
Noriko, second daughter: He ate everything that they put in front of him. Then he loosened his belt! He ate so much.
Akiko: He must have been famished.
Noriko, second daughter: I suppose. After the dinner at the hotel, we were walking through Nakanoshima.
Akiko: You two were alone?
Noriko, second daughter: Yes, everyone insisted.
Akiko: I see. What happened.
Noriko, second daughter: He asked me if I disliked Western cuisine. So, I said, "What about you?" And after all that food, he said he isn't too fond of it! Such a peculiar man!
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Akiko: What happened next?
Noriko, second daughter: He saw that nobody was around, so he grabbed my hand and squeezed it.
Akiko: And what did you do?
Noriko, second daughter: I squeezed it back.
Akiko: And then?
Noriko, second daughter: He said that my hand was cold and wouldn't let go. His hand was warm. But when we were near other people, he would try to let go in a hurry. So I wouldn't let go of his hand on purpose.
Akiko: And then?
