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Mona 2022-03-26 09:01:11
Benin is not beautiful inside BUGSY. . . . . Then Cusack is so handsome and JB is handsome. . . The movie is not as attractive as the title. . . . . . Pretty boring to be honest. ....
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Laila 2022-03-26 09:01:11
Aunt Benin has a dew...
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Else 2022-03-25 09:01:16
Annette Bening Nude Show...
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Annette 2022-03-25 09:01:16
Cusack children's shoes were pink and tender back...
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Jamarcus 2022-03-25 09:01:16
Kind of like a Hitchcock suspense drama. nostalgic. Cusack...
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Isidro 2022-03-25 09:01:16
Anjelica Huston's performance is a big...
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Westley 2022-03-25 09:01:16
Freys is really good at handling complex relationships. Just like the previous Dangerous Liasions, the script is very skillful, a few lines are messy but not chaotic. The photography is stylized and the acting is surprisingly good. But it would have been nice if the subject of mother-child incest had gone a little further, and the other flashbacks were too...
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Kennedy 2022-03-25 09:01:16
Neo noir, lighting controls....
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Vita 2022-03-25 09:01:16
What I thought was a hoax movie turned out to be an out-and-out American noir-style...
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Edwin 2022-03-25 09:01:16
Stephen Frears is really famous, but it is not...
The Grifters Comments
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Jamil 2022-01-13 08:01:48
Plot solving
I would like to ask you a question. In the movie the grifter, how did John Cassack die? It was because he was holding ice water in his hand, and her mother gave a heavy blow. The glass shards were embedded in the neck and he lost a lot of blood on the spot. Dead? The drink was brought up by her...
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Lew 2022-01-13 08:01:48
"Fatal Gamble" in the movie book
Know the movie[America] Luis Janetti [Sweden] Ingmar Bergman [Japan] Kurosawa Akira, etc. / 2007 / World Book Publishing Company1. Keynote
The tone of a movie can be manipulated in many ways. For example, the performance style can greatly affect our reaction to a certain scene. In Yi...
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Lilly Dillon: You're working some angle, and don't tell me you're not because I wrote the book!
Roy Dillon: What about you? You still handling playback money for the mob?
Lilly Dillon: THAT's me. That's who I am. You were never cut out for the rackets, Roy.
Roy Dillon: How come?
Lilly Dillon: You aren't tough enough.
Roy Dillon: Not as tough as you, huh?
Lilly Dillon: Get off the grift, Roy.
Roy Dillon: Why?
Lilly Dillon: You haven't got the stomach for it.
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Lilly Dillon: I was hoping we could play it straight with one another.
Roy Dillon: I guess not.
Lilly Dillon: I guess you won't be getting a straight job, either.
Roy Dillon: Not this week.
Lilly Dillon: Not ever.
Roy Dillon: It's up to me. I'm strictly short con. It's nothing but small time stuff. I can walk away from it anytime I want.
Lilly Dillon: Where have I heard that before?
Roy Dillon: Yeah, but I'm in control.
Lilly Dillon: Sure. You're only 25 years old, already you can lay down four grand without even turning a hair. Grift's like anything else, Roy. You don't stand still. You either go up or down. Usually down, sooner or later.
Roy Dillon: Well, I'll let it be a surprise, then.
