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Daija 2022-03-26 09:01:12
When Deneuve was young~ Ooh, he was so beautiful, and of course he was very smart when he was old. It's a pity that I watched it a few years ago... Do you dare to point out what you haven't seen yet? ! !...
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Laila 2022-03-26 09:01:12
The French made a lot of movies reflecting on World War II, probably because their military did not do much, so they were more about ordinary people, or stand by, or to please the Nazis, or secretly help Jews. I don't understand what the name has to do with the movie, and why almost every French movie has a pair of lesbians... I can't appreciate such a movie that is too...
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Lina 2022-03-26 09:01:12
The last subway line symbolizes the special link connecting the light. On stage and off stage. I just blame my clumsy eyes. The love part in the film is so delicate that I almost didn't see it. I think it is necessary to digest it a second and third time. Obsessed with the song Mon Amant de Saint-Jean. BTW, the incomparably beautiful Catherine Deneuve once reminded me that Naoto Fujiki forgot to take medicine. ....
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Taryn 2022-03-26 09:01:12
Teacher Yuan said that the Italians dragged Hitler's back because they always wanted to go home to drink coffee and eat ice cream during the war, and they had no intention of fighting, and finally dispersed Hitler's main...
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Casimer 2022-03-26 09:01:12
In the German-occupied area of Paris during World War II, theaters were still full every night, and watching dramas became an exit for people in troubled times. This film describes this "Xanadu", except that the director, who is a Jewish, has to hide in the basement, everything is business as usual in the small theater: casting, rehearsal, and performance are trivial and impatient. Fortunately, there is also a love triangle between two men and one woman, which is Truffaut's always-favored...
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Adolf 2022-03-26 09:01:12
When America started shooting in space, France went underground. A woman falls in love with two men and ends up...
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Braxton 2022-03-26 09:01:12
Truffaut's films always discuss the theme of "the emotional problem of three people". France is worthy of being a romantic nation. Even in the context of the Nazi occupation of France, this theme is still an important chapter in the film. Most courageous directors like to try to restore the true side of human nature in extreme environments, rather than becoming an ideological...
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Abdullah 2022-03-26 09:01:12
France is too open... just mess around with it... I don't...
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General 2022-03-26 09:01:12
I feel that the small pattern is the theme that Truffaut is very familiar with. The logic is a little unsmooth, and it is a bit dull and boring, but Deneuve is beautiful, and the big nose lover was quite handsome when he was young....
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Clarissa 2022-03-25 09:01:19
Using drama to reflect reality, Marion is indeed missing, lost in the choice of two men and life, and accidentally watched Truffaut's film again, only to feel that there are too many things in his film, including the Nazis. Resisting the confusion about love, etc. It takes a lot of energy to watch...
The Last Metro Comments
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Doug 2022-03-21 09:03:00
Both joy and pain
Yesterday, I was having dinner at Padi Pai accompanied by a dance performance, and I suddenly thought of what someone said: Some people eat to live; some people live to eat. Sometimes, it's hard to tell the difference: eating becomes a diet, and it can be a little bit particular, even cultural;...
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Margarita 2022-01-16 08:02:17
The last subway-hovering between drama and reality
Because of the unprecedented catastrophe during the Second World War, the film's attention to Jews in the last century has never ceased. Whether it is "Schindler's List" and "The Pianist", which are positive descriptions of war persecution, or "Black Sunday" and "Life is Beautiful", which start...
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Jean-Loup Cottins: This is Arlette Guillaume, our set and costume designer. Bernard Granger. He'll play Carl. You must have seen him on stage.
Arlette Guillaume: I don't think so. Wait. Yes, now I recall it.
Jean-Loup Cottins: At the Grand Guignol?
Arlette Guillaume: No, it was in something more ordinary. He played a man cruising the streets.
Bernard Granger: You can't judge me by that part. I was improvising.
Arlette Guillaume: Yet, I could have sworn you knew this role by heart.
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Nadine Marsac: You read palms?
Bernard Granger: Oh-la-la-la-la.
Nadine Marsac: Go ahead. What do you see?
Bernard Granger: I see...
Nadine Marsac: Yes?
Bernard Granger: I see that there are two women in you.
Nadine Marsac: That's true!
Director: François Truffaut
Language: French,German,Italian Release date: February 19, 1981