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Cheyenne 2023-09-18 01:14:52
Giuseppe's literature and art are still too straightforward, both in terms of plot settings and camera language. Some actions that can be completely memorable are finally spoken in various languages, and the grade is really lowered. And I have to say that the more I go on, the more hypocritical it is, and I don't do it well. The pianist at sea has a Leoney feel to it, especially the music that instantly reminds us of America's past. The only constant is...
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Rosalee 2023-09-15 13:26:24
We say goodbye with a smile, but know that goodbye is far away and...
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Braulio 2023-07-05 20:50:47
I've been running...
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Ruthe 2023-06-17 22:30:44
There are always people who are lonely in the depths of the crowd, guarding their own position. They use their own thinking, perseverance, and quietly observe the joy and sorrow of the people around them. ....
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Elroy 2023-06-07 20:26:37
It feels like the movie is...
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Ruthie 2023-06-04 20:17:35
Listening to the 1900s playing the piano will bring tears to your eyes. Everyone should live for themselves once, stick to their beliefs, even being alone is better than catering to the...
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Yessenia 2023-05-29 13:26:13
2.5 / 125min / After seeing the most classic midnight piano scene, I mistakenly thought that Tonadore was going to be reborn this time, and as a result, he was completely lost in the relationship between the narrator and the narrated. How did the emotion of the 1900 and Max build? Is it the mutual confirmation of momentary marginality? Or is it a transcendental connection in art? The emotional accumulation at the core of this ring is so weak and abstract that both become hollow at the same...
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Marvin 2023-04-20 14:06:02
Looking at the release date of 1998, it is very emotional and disappointing to tell the legend of the beginning of the century from the end of the century. So it's full of hints and comparisons here. Wandering seas and lands, through cruise ships, European immigrants went to the Americas to find wealth and opportunities, while handing over the hegemony and center of the world; performances in first- and third-class cabins; real-life dilapidated cruise ships and narrators In the memory, the...
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Van 2023-02-21 16:31:52
It's really no regrets that I can still see the 4k restored version on the big screen in my lifetime. As an enlightenment film that guides me to knock on the door of film, I am moved to the ground every time I watch...
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Casey 2023-02-12 18:48:43
I'm dizzy, after watching 2/3 of the next completion, really, playing the piano so that the strings can be ignited, really...
The Legend of 1900 Comments
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Eunice 2021-12-31 08:02:37
We are all otaku
Often, you can hear a Beijinger say, "our" the Forbidden City, China World Trade Center, Tiananmen Square, and a Shanghainese say, "our" the Pearl of the Orient, Xintiandi, and the Bund, or people from another city. Speaking proudly of the vast space of "us", it seems that a city is his world. In...
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German 2022-04-23 07:02:40
Crazy 1900
"I can't see the end of the city, I need to see the end of the world. Take the piano as an example, the keyboard has a beginning and an end, it is not infinite, the music is infinite. On the keyboard, I can play infinite music, I like it. But After walking through the springboard, there are...
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[first lines]
Max: I still ask myself if I did the right thing when I abandoned his floating city. And I don't mean only for the work. The fact is, a friend like that, a real friend - you won't meet one again. If you just decide to hang up your sea legs, if you just want to feel something more solid beneath your feet - and it's then you no longer hear the music of the gods around you. But, like he used to say, you're never really done for, as long as you got a good story, and someone to tell it to. Trouble is, nobody'd believe a single word of my story.
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Max: [on deck of ship] It happened every time. Someone would look up, and see her. It's difficult to understand. There'd be more than a thousand of us on that ship, traveling rich folks, immigrants, and strange people, and us; yet there was always *one*, one guy alone, who would see her first. Maybe he was just sitting there eating, or walking on the deck, maybe he was just fixing his pants. He'd look up for a second, a quick glance out to sea, and he'd *see* her. Then he'd just stand there, rooted to the spot, his heart racing. And every time, *every* *damn* *time* I swear, he'd turn to us, towards the ship, towards everybody, and *scream*.
Passenger: [pointing] America!
Crowd: [everyone turns to see the Statue of Liberty, and break out in cheers]
Director: Giuseppe Tornatore
Language: English,French,Italian Release date: October 28, 1998