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Dana 2022-03-28 09:01:11
The audience snickered constantly. It was too easy to be regarded as a British speciality rot film. When I re-watched it, I only felt that it was rotten. Back then, Rossi Cliffs was under pressure and made a film that seemed obscure and tortuous on the surface, but it was actually quite rotten at the time. Straightforward and bold rubbing the ball, this is what I deeply realized after watching it on the big screen now, so obvious same-sex meaning, it is not an exaggeration to add a same-sex...
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Evan 2022-03-28 09:01:11
Super beautiful and awesome~~~ The black and white picture is so exquisite and the contrast between light and dark is sharp. The language of the lens is as skilled and natural as running clouds and flowing...
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Shannon 2022-03-27 09:01:19
The whole film is filled with an explosive sudden turn of charm. For example, the love scene between the servants witnessed by the master after returning home early should have put the audience in an extremely embarrassing situation, but at this critical moment, Rossi unexpectedly reversed the master-servant and strong Weak ties, and then Barrett's humble begging in the bar and the coercion of re-entering Tony's house made this series of seemingly broken sudden turns indeed make the whole...
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Julie 2022-03-27 09:01:19
Photography's control of space and mirror images filled the house with all kinds of tension. The servant seized the master's opportunity from the first sight, and the uncontrolled master-servant relationship later started from this. In the second half of the story, I probably don't know how to end it, and it's a bit unsatisfactory to just go straight to the...
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Kiley 2022-03-27 09:01:19
8.5/10. ①The male protagonist, the male protagonist B, B's fiancée, and the male protagonist's fiancée have a complicated four-cornered love, in which the male protagonist gradually turns against the guest in front of the weak master B (there seems to be some homosexual ambiguous meaning) is the main line. ②Strongly expressive high-level photography (lighting/composition); a lot of extremely high-level long-lens movement/scheduling that enhances the sense of immersion/realism/elegance. ③ A...
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Kaya 2022-03-27 09:01:19
It's helpful to...
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Doris 2022-03-27 09:01:19
Spicy satire, rivalry. The setting of light and shadow gives people a sense of oppression, and it also highlights the almost morbid psychological transformation of the characters when the two classes change positions, and the morality and ethics collapse instantly. The picture is exquisite and intriguing, Bogard has a strong aura, and the two opponents in the second half are very...
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Carmine 2022-03-27 09:01:19
Simply after the inversion. . . The ecstasy is explosive! ! ! God Photography + Pinter God...
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Burdette 2022-03-27 09:01:19
I wiped so many beautiful shots! Such an unexpected turnaround! So many things I still don't understand...but I love it! !...
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Eliezer 2022-03-27 09:01:19
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The Servant Comments
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Antonio 2022-01-20 08:01:41
The master and servant dialectics of sex and power
Both Pinter and Losser are artists who are very sensitive to the power, class status, and money in interpersonal relationships. The character structure of the classic movie "The Servant" they collaborated is very reminiscent of "Apple" because they both involved the relationship of desire between...
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Lukas 2022-01-20 08:01:41
Dramatic and cinematic
Drama and cinema are regarded as incompatible by many modern film art masters and modern film critics. "The Servant" is a strong counter-evidence. The collaboration between the theater master Pinter and the film master Rossi also gives it a high degree of drama and cinematic quality, both of which...
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Tony: Look, Barrett, don't forget your place. You're nothing but a servant in this house.
Hugo Barrett: Servant? I'm nobody's servant. Who furnished the whole place for you? Who painted it for you. Who does the cooking? Who washes your pants. Who cleans the bathhouse after you? I do! I run the whole bloody place! And what do I get out of it? Nothing!
Tony: Now, listen, Barrett, look...
Hugo Barrett: I know about you, sonny.
Tony: No, look, listen, I am grateful, honestly.
Hugo Barrett: Yeah.
Tony: No, don't be daft. You know I am.
Hugo Barrett: Yeah, I believe you.
Tony: No, I... I don't what I'd do without you.
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Susan: Shall I tell you the truth, Barrett?
Barrett: Yes, Miss.
Susan: The truth is, I don't give a tinker's gob what you think.