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Amber 2023-03-30 23:10:02
Eric's oil paintings and counterfeit banknotes belong to his works, he likes to burn them and finally burned himself. The pros and cons can be said to be mirror images of each other, and the two have reached the unity of life and morality from beginning to end; the two female characters are also a mirror relationship, and they and their respective protagonists are also a kind of "money" and "body." In the end, John inherited Richard’s corruption and hypocrisy. Money, motives, and interpersonal...
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Martine 2023-03-25 07:18:44
I have no feelings for the descriptions of the three male protagonists, and even the big car chase scene didn't impress me. But I still admire the vague moral setting in the play, and the final [Inheritance] is cold and surprising. Ps. The second male is not the second male of "Alien Demon", I saw it again, it is really fate....
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Kaylee 2023-03-20 17:23:54
New noir classic, fresh meat...
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Miles 2023-03-05 05:19:12
The car chase scene is top-notch, and the colors are used very...
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Iva 2023-02-17 21:31:25
In the end, the protagonist policeman and his partner found out that the Hong Kong gangster they robbed was actually an FBI agent. The counterfeiter boss, took over the dead protagonist's mistress and...
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Merle 2023-02-17 01:09:35
The shots and pictures of the movie are very good. It fully demonstrates the unique charm of Los Angeles in the 1980s. The car chase scene is the most impressive in the movies I have ever seen, full of tension. A movie worth...
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Mabelle 2023-02-13 06:54:43
If you must choose a text for comparison...Old policeman-Sun Jian / Hot policeman-Sun Ce / Pretending to be a pig and eating tiger-Sun Quan. Obviously, it is definitely not a good idea to have Sun Ce the protagonist, not to mention the stupidity of conflating the Los Angeles police with the New York...
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Andre 2023-01-30 11:37:55
Starts with the most formulaic and exhausted trope: the old accomplished cop on the verge of retiring dies, and his partner decides to take vengeance upon the villain responsible of his death. This one too is just as compliant to the standards & clicheys of the 80's hotcop: good heart but blamable methods. Dafoe's persona by contrast is appealing, esp. due to his (justified) artistic tendencies, a pretext for aesthetic interior settings - "Dance" by Matisse can be spotted during a fit of...
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Amelia 2023-01-28 11:04:53
Photography and fine art are very particular. The passages of William Dafoe counterfeiting counterfeit banknotes and stunned his girlfriend and arresting the fugitive are all silent and romantic. Not to mention that there are also a long section of LA city-style paintings and crazy racing scenes, which are unique in police and criminal films. The story of the front-line police desperately avenging blood and revenge on the culprits for the old partner is quite unkind, echoing two violent shoots...
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Madalyn 2023-01-22 19:11:51
Le thriller policier estampillé 80s par excellence qui transcende le simple manichéisme par 1 opposition ravageuse entre le bien obnubilé et le mal charismatique. Friedkin orchestre avec méticulosité 1 descente aux enfers stylisée baignée dans 1 noirceur...
To Live and Die in L.A. Comments
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Geo 2022-08-08 10:30:27
The Hypocritical Net—The "American Counterfeit Banknote Net" 14 years later by the French Drug Trafficking Net
William. "French Drug Network" directed by Fred King in 1971 can be regarded as a model that created a new police film in the 1970s, and made major breakthroughs in story and special effects. In 1974, he shot the horror film "The Exorcist", which shocked the world, and these two films alone can...
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Lucie 2022-08-08 19:20:46
The dazzling, eye-catching, and fake of the 1980s.
This movie, like its brother The French Connection more than a decade ago, is a portrayal of the decade it belongs to. I think "French Drug Network" is a masterpiece that stands on the top of the pyramid of American police films. However, the reason that led me to watch "L.A." is not director...
To Live and Die in L.A. quotes
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Jeff Rice: Yo! Yo! Yo! Yo!
Eric 'Rick' Masters: Hello Jeff.
Jeff Rice: What are you doing in my crib.
Eric 'Rick' Masters: You sent two assholes to do Cody and they blew it. I paid you half, I want it back.
Jeff Rice: Yeah, well uh... I'm trying to get that money back myself. I had to front the whole purchase to get my people to do their thing. So I ain't got any more.
Eric 'Rick' Masters: Well, then uh... you better try and shit 40 grand, because I ain't leaving without it.
Jeff Rice: I owe you Cody. Next time there be no fuck-up.
Eric 'Rick' Masters: What next time? He's in protective custody.
Jeff Rice: Hell, protective custody don't mean shit to me! The man's dead.
Eric 'Rick' Masters: In a pig's ass!
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Eric 'Rick' Masters: I want my paper, Jeff. I can't afford to have it circulating right now.
Jeff Rice: I told you I don't have it.
Eric 'Rick' Masters: Get it.
Director: William Friedkin
Language: English,Arabic,Spanish Release date: November 1, 1985