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Lane 2022-04-22 07:01:47
Ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha...
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Danny 2022-04-22 07:01:47
I really don't...
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Shyanne 2022-04-22 07:01:47
Just play it, don't take it too...
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Chanelle 2022-04-21 09:03:03
The style is still very Polanski and "Killing", and the script is awesome....
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Olin 2022-04-21 09:03:03
interesting! This kind of free switching between roles is simply divine, and the final Greek dramatic ending is so strange and weird, but it still looks very...
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Cary 2022-04-21 09:03:03
8/10. Damp and quirky, virtual and reality, offside and counter-control, the last second of darkness turns into a comedy... Polanski once again played the enclosed space that he was good at in a rich and multi-layered expression! The lines, scenes, props, soundtracks, virtual sounds, and performances of the actors are all hidden and full of design, and the turbulent narrative is accompanied by a wonderful foreshadowing step by step. open!...
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Jaunita 2022-04-21 09:03:03
Unknowingly, I found that I was actually the one who was dragged and led away by Taiben, and was finally tied to a huge phallus cactus. His head was occupied by various symbols, but he still applauded for this play. For example, Venus is actually for everyone. The rooted dance.
there is no more there, the French sadomasochism sounded again, 2014 is destined to be... -
Catharine 2022-04-21 09:03:03
Polanski's movies in recent years really play the script in the palm of his hand. A "Killing" gave me a new understanding of indoor drool scenes, and this "Venus" made a fixed space even more. "Two people turn" play to the...
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Rozella 2022-04-21 09:03:03
Brilliant, but a little too much,...
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Kristin 2022-04-21 09:03:03
The 80-year-old Polanski's deconstruction of sexuality in the film is still not unfamiliar, and he is able to do it with ease. He is still good at controlling erotic stories, which eventually turned into a rather ironic stage play by the 81-year-old master ghost. However, the relationship between these two sexual aberrations has always been very unique and full of artistic satire in Polanski's films for a long time. "Venus in Furs" inherited the poisonous lust in "Bitter Moon" The temptation,...
Venus in Fur Comments
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Johnnie 2022-04-20 09:02:16
word count exceeded
The wonderful structure of the play in the play and the fact that the heroine has the same name in the play makes it intertwined at the end. The changes in the roles inside and outside the play quietly reflect the position of the actors, but it can be seen that this is just a small test for Bird....
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Freddy 2022-03-25 09:01:18
Venus in Furs: A Dog Named Derrida
Original address: http://www.qh505.com/blog/post/4769.html
One door closed, the camera left the stage, and only Thomas, who was tied up, was struggling; another door was closed, and the camera came out of the theater, but the "interview please" has come to an end; the last door closed, only Leaving...
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Vanda: Any other director I know would have already jumped on me.
Thomas: I'm not "any other director".
Vanda: Bullshit. If he thought he could, he would have already done.
Thomas: Not true.
Vanda: Not even if I allowed him?
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Thomas: Hail, Aphrodite!
Vanda: So, you haven't forgotten.
Thomas: Forget? My most dear and old enemy?
Vanda: You're too kind.
Thomas: Yes.
Vanda: I don't have the right to a little kiss? That's better, Thomas... Oh! I said Thomas? Oops! It's so cold in here. Every time I come to visit you, I am cold.
[sneezes]
Vanda: See? I already have an inflamed bronchi.
Thomas: If you do not passed time to walk around naked...
Vanda: However, I am Venus, I have to be naked. It's part of the job. Don't you want to take off those rough clothes, come and hold you close to me? There is so much room here under my fur.
Thomas: No, thank you.
Vanda: I brought this vision to you, directly from Olympus. It's divine. See the label? Made in Olympus.
Thomas: Why? Why should I care about your vision?
Vanda: I know your small flaw. You're not interested in women. You feel concerned for their fur, and you should marry an otter.
Thomas: I understand better with an otter than with a woman.
Vanda: But if I spread my legs under the mink, you'll refuse a little love?
Thomas: It's "a little love" you suggest? No, it's the power that interests you.
Vanda: Dare you resist me?
Thomas: Yes, I dare.
Vanda: Séferin, I want you on the ground, at my feet. Beg me.
Thomas: Never.
Vanda: You already belong to me and I will belong to you until the end of time.
Thomas: Never.
Vanda: Auf wiedersehen, my friend. The back.
[breaks from character]
Vanda: And then poof, it disappears.
