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Eliane 2021-10-20 19:01:07
A 52-year-old film made me enthusiastic after watching it, and the signature plot of Xige + the tense rhythm is unstoppable. Many technical attempts at that time have affected today, including the lens of acrophobia and the lens of kissing 360° rotation, which can still be seen now. In addition, a lot of Chinese elements are interspersed in it, it is worth thinking about metaphors. Like the mentally ill, the story is clearly divided into two parts, only brother Xi is...
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Glen 2021-10-20 19:01:07
He combined the zoom with the moving lens to take a shot of a stairwell from top to bottom, successfully creating the dizzy psychological feeling of the protagonist's fear of heights. His method is to put the model of the stairwell on its side, the camera is aimed at the stairwell, and slowly push towards the model from a distance, and the zoom lens is initially at a telephoto (telephoto lens) and slowly stretched to a wide angle, which is required to be the size of the model. It must remain...
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Jannie 2021-10-20 19:01:07
When I don’t let you know, you don’t know when I let you know, you still want to know this is...
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Eli 2021-10-20 19:01:07
The soundtrack is too compelling. It’s like someone keeps whispering in your ears: so scary, so...
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Keanu 2021-10-20 19:01:07
Revisit, the whole film is as dreamy as fantasy, as crazy as crazy, full of magic. Super 5...
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Shanie 2021-10-20 19:01:07
The legendary "third business card in the history of world cinema". The five coaxial reverse zooms are very classic. Hitchcock-style suspense, this game is wonderful. Especially after Judy uncovered the scheme, the meaning of the first half-hour drama was completely reversed, and at the same time it created a huge suspense for the rest of the half-hour drama, which is wonderful. This film is the favorite of the psychoanalytic...
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Don 2021-10-20 19:01:07
It's great. The first half of an hour is completely overturned. Although the ending is a bit awkward, it seems that there is no more room for other endings. Xi Pang likes blonde beauties so much, it is even more commendable! 【Review...
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Coby 2021-10-20 19:01:07
This is simply a paper about "mirror/ontology" and "eyes/viewing/desire organs". The individual's judgment and cognition of identity is one of the important issues that modern and even post-modern society pays close attention to. With the help of the carrier of horror and suspense, Hitchcock presents another level of...
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Myron 2021-10-20 19:01:07
Today, we have seen too many births that are performed by variations of this story element. It is still nourishing countless suspenseful stories today, and any branch can be extracted and developed into a complete tree. In the pedigree of portrait tracking and dream addiction, Madeleine is the most fascinating one. Once she takes root in your mind, she will never forget it. You simply can't bear to let go of such a mystery. But the real Judy was stunned, this was everyone's...
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Adelbert 2021-10-20 19:01:07
#2018年6月重温第再#4.5; From the blurry scene of the opening film to the nightmare awakening and the distortion of the stairs in the overlooking, the tranced eyes from the beginning to the end convey the theme of "dizziness"; the mysterious atmosphere of the first half and The illusion experience is very exciting. The second half is obviously realistic. The rotating kiss camera connects two overlapping images/time and space. The highlight moment of "green light", the moment of shadow history; the...
Vertigo Comments
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Darius 2022-04-21 09:01:11
death of local objects
Zizek's interpretation, in "Vertigo", is the interpretation of the hero Scott's fear of heights. "Vertigo" is Scott's fear of heights, the experience of looking down from a height, and the unfathomable things in the pupils of the people who appear in the film. These symbolic orders are all...
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Lesley 2022-04-21 09:01:11
Well-crafted murder, well-crafted film
The author has limited movie viewing experience, and when I first met Hitchcock's works, I was deeply shocked. The plots, performances, and shots in the film are all carefully designed to a natural state, and the story itself cleverly uses the audience's psychology, making the audience fall into...
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Madeleine: There is something I must do, there is something I must do.
Scottie: There is nothing you must do. There is nothing you must do.
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Scottie: I love you, Madeleine.
Madeleine: I love you, too. It's too late.
Scottie: No, no, we're together.
Madeleine: It's too late. There's something I must do...
Scottie: [kisses her passionately] No, there is nothing you must do. There is nothing you must do. No one possesses you. You're safe with me.
Madeleine: [frantically] No, it's too late
[Madeleine breaks free and runs across the courtyard. Scottie trails behind her, eventually catching up to her. He holds her tightly]
Madeleine: Look, it's not fair. It's too late. It wasn't supposed to happen this way. It *shouldn't* have happened...
Scottie: But it had to happen. We're in love. That's all that counts!
Madeleine: [struggling] Look. Let me go! Please let me go!
Scottie: Listen to me. Listen to me.
Madeleine: [calmly] You believe I love you?
Scottie: Yes.
Madeleine: And if you lose me, then you'll know I, I loved you. And I wanted to go on loving you.
Scottie: I won't lose you.
Madeleine: Let me go into the church - alone.
Scottie: Why?
[they kiss for the last time. Scottie releases his grip and Madeleine walks away towards the bell tower]