Weekend Comments

  • Franco 2022-04-23 07:03:54

    8.3 This film concentrates almost all the elements of Godard's films at the time, including political metaphors, class struggles, and the dark human nature stories that were used to package the first two. There is no narrative passage in this film that absolutely serves the theme. Those and extremely different from the Hollywood movie narrative passages, such as the dialogue in front of the dark window, the long shot of the traffic jam, and the monologue of the garbageman facing the camera, are...

  • Dax 2022-04-23 07:03:54

    Ahhhhh, the weird soundtrack and the actors' dialogues made my scalp feel numb. This story was filmed, only Pimple dared to play like this, and only he can play this effect. A lot of good plays are coming, and the sound and picture The separation, the fragmented fragments, and whether the telling process is really left to the audience's imagination. Only after seeing the end can I understand that this satire of the political class to the end, followed by a Rap...

  • Barrett 2022-04-23 07:03:54

    Crazy...text binge! Godard combined "revolutionary images" with "image revolutions", not only rejecting the audience in form, but at the same time bringing the left-wing social group images of the 1960s to the screen. In the form of road films, open sexual concepts, bourgeois girls and workers who fell in love with each other, traversers who resisted violent revolutions, musicians who went deep into the masses, guerrillas who imitated the Viet Cong, and cannibals, etc., took turns on...

  • Tiana 2022-04-23 07:03:54

    7.4/10 How fun the first half is and how boring the second half...

  • Domenica 2022-04-23 07:03:54

    If "Wild Strawberry" is for research and not for feeling, then "Weekend" is for research as well as for feeling. I know what Godard wants to do, but I just don't like...

  • Winston 2022-04-22 07:01:48

    Are Godard's films really free? Endless catharsis of absurd violence, long essays and sermons that are more "independent" than the independence era. Are movies bourgeois? Can anti-film and anti-bourgeois be equated? The long-moving shot of the highway is a slap in the face of the traffic jam weekend, the proletarian avant-garde submachine gun is held in the hands of the madman Godard, and the movie is a corpse that has been punched out countless...

  • Timmy 2022-04-22 07:01:48

    It is Godard's last and peak work before Vertov's group. Pasolini once wrote that "his (Godard) energy was unfettered, unrestrained, unscrupulous. It was a force that rebuilt the world in its own scale, and was immoral about itself. Godard's Poems Learning is ontological, and its name is film.” The opening talks, traffic jams, concerts, percussion political preaching fragments are undoubtedly the perfect display of Godard’s...

  • Shyanne 2022-04-22 07:01:48

    My disgust with Godard turned into hatred. I hate the director the most. I want to take a gun and destroy the director @Festival...

  • Clyde 2022-04-22 07:01:48

    Stunning cinematic experiment. Only when the plot becomes the most secondary element is it possible to create a new Europe. No wonder there is no synopsis. 2333...

  • Stephany 2022-04-22 07:01:48

    #SIFF# Cathay Pacific/full house. More than 40 years later, watch the still pioneering anarchist monster movie (the live subtitles are also very anarchic). Although I don't know much about Engels and the Iroquois, it was touching to hear Jean-Pierre Léaud sing "Allo, tu m'entends" in the phone booth: http://www.xiami.com/song/1769859647?spm=a1z1s....

Extended Reading
  • Jaime 2022-01-18 08:01:28

    auess was written on September 20, 2003 (Now it’s really funny looking at that year: P)

    Title: (Week-end) Year
    : 1968
    Country: France/Italy
    Director: Jean Luc Gadard
    Length: 105 MIN, Color
    Type: Experimental/Pioneer/Surreal/Post Modernism/Black Comedy
    Awards: Nominated for Best Film at the Berlin Film Festival in 1968, Best Foreign Language Film at the New York Film Critics...

  • Branson 2022-01-18 08:01:28

    A Film Adrift in the Cosmos

    The first time I watched it under the extremely sad subtitles of the film festival, I could only reluctantly grasp some of this move, and concentrate on perceiving from the image. The feeling at the time was very interesting, and the traffic jam was empty. As the protagonist advances, the caravan...

Weekend quotes

  • Corinne's Lover: Is Roland getting suspicious? He gives me funny looks at times.

    Corinne: No, I let him screw me sometimes, so he thinks I love him.

  • Roland: Sure I love you. You're my splendid bitch, you know that.