-
Rebeka 2022-03-25 09:01:10
1992 Chaplin - Charlie Chaplin
1992 Chaplin - Charlie Chaplin
UK - 18 December 1992
Hong Kong - 12 March 1993
Charlie Chaplin...reminds me of my childhood.
We didn't even have the silent films of the 1920s and 1930s. We
watched all of them From the clips interspersed on TV, of course I felt old-fashioned when I was a child....t -
Clovis 2022-03-23 09:02:12
You shouldn't be afraid to share your feelings with readers
Only when you are alone can you gain a deeper insight into your own subtle inner twists and turns.
Those dynamic black and white images actually constitute a parallel, symbiotic relationship with his own life trajectory, and the joys and sorrows on the screen somewhat metaphorize his...
-
Marjolaine 2021-12-22 08:01:21
This movie is like Chaplin's biography. What you see is what Chaplin wants you to see. Even if Uncle Downey contributed the most recent performance to Oscar, it is difficult to restore some popularity in the ranks of celebrity biopics. Can you dig into something deep inside celebrities? All right. I admit that the movie clips at the end are exciting. ★★★
-
Davonte 2022-04-23 07:02:36
The radish is indeed portrayed in a three-pointed manner, especially from the back, he imitates Chaplin's walking posture, which is too similar, and the sad side of Chaplin's real life outside the big screen is well expressed. Tribute to Radish and Chaplin.
Related articles
-
Mack Sennett: Jesus!
Rollie Totheroh: You told him to change, right?
Mack Sennett: What is he putting on? A suit of armor?
-
Paulette: You know what?
Charlie Chaplin: hum?
Paulette: I've always had that gift. After a man makes love to me, he just goes wild from happiness.
Charlie Chaplin: I am happy.
Paulette: Well, then tell me when you get sad; because, I don't want to be around.
Charlie Chaplin: Terrible things have been happening out there since the crash. Millions of decent Americans have been robbed of their right to work. Machinery is replacing manpower. And I've said nothing. Shame on me. Shame on me.
