Suchwiin bulmyeong

Kaia 2022-10-20 16:50:40

When the oppression reaches a certain level, even the weakest person will take self-destructive revenge. . . It is reflected in them vividly. Love can make people kind and gentle, and it can also make people evil and cruel. . . This film is profound and direct, both in terms of history and human...

Tremaine 2022-10-26 15:05:23

Kim Ki-duk in the early 2000s was that esoteric.

Having said that, for so many years, he has not changed the perspective of gray, few lines, and small people. When I watched it, I felt the rhythm was slow, and after watching it, I felt so depressed that my chest was tight, and I couldn't say...

Alexzander 2022-03-15 09:01:10

This temperate village has a repressed face, the thin layers of soil are bare, the long dry winter and spring are accompanied by sand and dust, the mountains are imprisoned by men, women and children, and the God-blessed Americans are unable to fly. A knife, a bow and arrow, a pistol can all commit suicide, a steel wire, a fishing net, a dog leash, and a length of wire can be made into a noose for hanging. Children have surrendered to violence. Leave no room for survival. "The Pessimistic Perspective of Geographical Determinism"

Marie 2022-03-14 14:12:30

The more you think about it, the more arrogant it becomes. No matter from any angle of characters, race, men and women, sex, language, space, etc., the whole film is full of binary relationships. But not against each other, but mixed with each other. Therefore, this film is also an allegorical film of how to purify relationships = how Koreans gain self-identity. The three central characters finally chose self-destruction in order to achieve the return of identity and self-redemption.